Paula Goes to Harvard, Her Neurosis Follows

Paula Goes to Harvard by Paula Poundstone at Sanders Theatre October 23 Tickets $18

Paula Poundstone is brusque and freckled, with a crunchy Massachusetts accent. And she doesn't seem terribly eager to talk about her self.

Monday night, hundreds of students will pack into a flood-lit, camera-filled Sanders Theatre to hear her reveal her foibles. Poundstone is filming an HBO comedy special, "Paula Poundstone Goes to Harvard."

Poundstone's comedy career has run the gambit. She has appeared on The Tonight Show and Sesame Street, entertained audiences at the Oscars and the White House and written for publications ranging from Mother Jones to Glamour. Armed with this formidable resume and a selfdescribed desire "to be completely in charge," Poundstone should fit right in at Harvard.

In an interview with The Crimson from her Los Angeles home, however, Poundstone demurred at the thought.

"I don't identify with Harvard, which is why I jumped at the chance to do a special here. That's why this is fun, because I thought to myself, There's no way on earth I'll fit into a place like that.' I didn't even finish high school.... I like to read and I like to think, but I'm not really an academic," she says, "[It's] strange because I have khakis and a knapsack. I look like I should be a scholar but I'm not. It's sort of a new age nerdism look."

While looking forward to the event itself, Poundstone admits that she balks at the intrusion of cameras.

"I think it will be fun, but televised comedy's not really my thing. The place I feel greatest comfort is in front of a live audience. I get nervous with cameras everywhere. You've got directors telling you to look at this camera, look at this other camera... there are so many areas where you could screw up. There's so much pressure."

"I like it when I'm the producer, the director, the writer and the star. I guess I like it when I'm completely in charge.... We're fine, when it's just me and the audience, and we have an understanding. It's when you have to deal with all these other executive approvals and opinions that there's trouble."

After the comedy bust in the late '80s, only an elite of televised comedians survived. Poundstone is among that elite and endures the downside--five-minute spots on Letterman and failed sitcom pilots.

In this age of high-stakes televised stand-up, the moments that she craves--the uninterrupted contact between the audience and her--are few and far between. Working without the camera is no longer an option for a serious comedian. So Poundstone says she looks for ways to subvert the limitations of television.

"It has to do with the format," she chuckles. "With the Oscars and with Jay Leno, I was working within more parameters, but still, when things are live, it's the nature of the beast--they can't control me."

That's why she likes working with HBO.

"There's less pressure with an HBO special--it's not like not like a five-minute spot, it's not with a host. I feel like with HBO's format, I can be most like me. They won't make me do anything I don't want."

Still, Poundstone says she loves a live audience best. "It's a bit of a treasure--something happens that is just ours. I'm not going to go to another audience and say the same thing, because I can't. Half my act is based on big mistakes, and I just go from there. I don't think I could remember a tight script if I had it."

Poundstone is feisty, opinionated and spontaneous. But for someone who makes a career out of capitalizing upon unexpected mishaps, she is astonishingly directed. She knows where she is going, and where she wants to go--and has known this for a long time.