The talk, called “Sixth Sense, Seventh Heaven: How Some Poems Got Written,” is the first of three seminars that Heaney will give as part of his visiting lectureship, in which he spends six weeks every other year at Harvard.
He began the lecture by announcing that he would focus on his own process of composition.
“Maybe in question and answer we can talk about other people,” he joked.
Heaney employed the work of philosopher Jacques Maritain to break down composition into three parts.
The first, poetic sense, is an instinct particular to poets, a potential for expression, what Maritain called “an inner melody.”
The second, action and theme, is how poets develop and direct that melody.
The third, expression, is the articulation in poetry of that sense.
To illustrate, Heaney read a few different poets’ thoughts on composition, including William Butler Yeats, William Wordsworth, T.S. Eliot, Wilfred Owen and Elizabeth Bishop.
He even shared with the audience his impression of James Joyce’s “shade.”
“Write for pleasure!” croaked the dead Joyce.
He also read from his own poetry—“Bogland” and excerpts from his poem“Lightenings”—before opening the floor to questions.
Heaney’s last visit to Harvard was in 2000, as a visiting lecturer.
He comes every other year to conduct lectures, readings and discussions with aspiring young poets.
Cindy Fallows, staff assistant to Heaney and part of the Harvard Graduate Design School, coordinated much of the planning for the three seminars that Heaney will be giving here at Harvard.
“The program will hopefully be inspiring to undergraduate poets,” she said.
The next seminar will be a reading from Heaney’s works on Oct. 15 and the final seminar will be a lecture on the translation of poetry on Oct. 22.
Both will take place at 8 p.m. in Emerson Hall 105.