<?xml version="1.0" encoding="utf-8"?><rss version="2.0" xmlns:media="http://search.yahoo.com/mrss/"><channel><title> The Harvard Crimson |  Latest Stories in arts</title><link>http://www.thecrimson.com/</link><description>The Latest Crimson Articles in arts</description><language>en-us</language><lastBuildDate>2012-02-10 07:00:03.911146</lastBuildDate><item><title>Titillating "Tinker" Needs No Tailoring</title><link>http://www.thecrimson.com/article/2012/2/7/tinker-tailor-soldier-spy/</link><description>"Tinker Tailor Soldier Spy" proves to be an immersing spy thriller, not only with a dozen award-deserving performances but also a striking visual scape.</description><pubDate>2012-02-07 15:46:13</pubDate><media:content url='/media/photos/2012/02/06/005206_1268247_630x423.jpg' /><media:thumbnail url='/media/photos/2012/02/06/005206_1268247_630x423.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Christine A. Hurd</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/tinker-tailor-soldier-spy/</guid></item><item><title>Meryl Streep Peerless, "Iron Lady" Not</title><link>http://www.thecrimson.com/article/2012/2/7/iron-lady-streep/</link><description>"The Iron Lady" herself shines as Streep gives another masterful career performance, but the rest of the action waffles uncertainly. </description><pubDate>2012-02-07 15:45:12</pubDate><media:content url='/media/photos/2012/02/06/005916_1268251_630x418.jpg' /><media:thumbnail url='/media/photos/2012/02/06/005916_1268251_630x418.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Ola  Topczewska</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/iron-lady-streep/</guid></item><item><title>"Tattoo" Colored by Mara’s Careful Artistry</title><link>http://www.thecrimson.com/article/2012/2/7/girl-with-the-dragon-tattoo/</link><description>"The Girl With the Dragon Tattoo" features deep, engaging acting from Rooney Mara, but her co-star Daniel Craig drags the film. </description><pubDate>2012-02-07 15:44:21</pubDate><media:content url='/media/photos/2012/02/06/020933_1268255_630x418.jpg' /><media:thumbnail url='/media/photos/2012/02/06/020933_1268255_630x418.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Aaron H. Aceves</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/girl-with-the-dragon-tattoo/</guid></item><item><title>IGP Goes Bananas</title><link>http://www.thecrimson.com/article/2012/2/7/IGP_bananas/</link><description>The stage in the Loeb Experimental Theater is dark. A dimly lit figure approaches the audience slowly until people can clearly recognize the figure as…a banana.</description><pubDate>2012-02-07 11:54:50</pubDate><media:content url='/media/photos/2012/02/05/164049_1268183_630x418.jpg' /><media:thumbnail url='/media/photos/2012/02/05/164049_1268183_630x418.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Charlotte D. Smith</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/IGP_bananas/</guid></item><item><title>“Flight” Fails to Reach Literary Heights of Inspiration</title><link>http://www.thecrimson.com/article/2012/2/7/the_flight_of_gemma_hardy_review/</link><description>Charlotte Brontë’s classic “Jane Eyre” tells the story of a young orphan girl who is sent to a boarding school by her abusive relatives and later falls in love with the guardian of the girl she takes care of. Funnily enough, “The Flight of Gemma Hardy” tells that same exact story.</description><pubDate>2012-02-07 14:45:19</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Charlotte M. Kreger</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/the_flight_of_gemma_hardy_review/</guid></item><item><title>Disengaged Descriptions Mar Emotional “World We Found”</title><link>http://www.thecrimson.com/article/2012/2/7/world_we_found_review/</link><description>How strong are the bonds of college friendship after decades of separation? Armitai, the protagonist of Thrity Umrigar’s “The World We Found,” finds herself contemplating this question at the onset of the novel. Afflicted with an incurable brain tumor, Armitai realizes what she wants most from the world: the company of her three best friends from college.</description><pubDate>2012-02-07 15:21:35</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Aisha K. Down</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/world_we_found_review/</guid></item><item><title>Mystical History Comes to Life in “No One is Here”</title><link>http://www.thecrimson.com/article/2012/2/7/no_one_is_here_review/</link><description>Ausubel’s basic premise is exhilarating. Fearing the encroaching tumult of the world outside, the villagers of Zalischik decide to pray away reality: to start the world again and to rewrite their story from scratch. </description><pubDate>2012-02-07 15:00:55</pubDate><media:content url='/media/photos/2012/02/06/213024_1268367_630x452.jpg' /><media:thumbnail url='/media/photos/2012/02/06/213024_1268367_630x452.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Alexander J.B. Wells</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/no_one_is_here_review/</guid></item><item><title>Rope</title><link>http://www.thecrimson.com/article/2012/2/7/preview-rope-loeb-ex/</link><description>"Rope" by the HRDC promises edge of your seat thrills at the Loeb Ex </description><pubDate>2012-02-08 09:51:45</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Joshua R. McTaggart</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/preview-rope-loeb-ex/</guid></item><item><title>The Calling of Disorder</title><link>http://www.thecrimson.com/article/2012/2/7/memoir-humanism/</link><description>Former nun Mary Johnson lost her faith amid abuse from her peers and corruption from her leaders. Now, Johnson has found purpose in telling her story.</description><pubDate>2012-02-07 11:30:49</pubDate><media:content url='/media/photos/2012/02/06/233536_1268415_630x399.jpg' /><media:thumbnail url='/media/photos/2012/02/06/233536_1268415_630x399.jpg' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Patrick W. Lauppe</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/memoir-humanism/</guid></item><item><title>Portrait of an Artist: Christine Bennett</title><link>http://www.thecrimson.com/article/2012/2/7/christine-bennett-choreography/</link><description>Assistant Dance Director Christine Bennett gives dance advice and discusses her high-risk choreography.</description><pubDate>2012-02-07 03:36:51</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Soyoung  Kim</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/christine-bennett-choreography/</guid></item><item><title>Joyful Noise</title><link>http://www.thecrimson.com/article/2012/2/7/spirit_in_the_night/</link><description>One muggy night in mid-July of that summer, I found a soft-focus, black-and-white video of “Racing in the Street” performed live in 1978. The song was, and remains, my favorite of Springsteen’s—the ballad of a man who struggles through life, hoping to find redemption in the late night street races he and his friend Sonny follow across the East Coast.</description><pubDate>2012-02-07 16:53:45</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Benjamin  Naddaff-Hafrey</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/spirit_in_the_night/</guid></item><item><title>Arias Soar in DHO's 'Marriage of Figaro'</title><link>http://www.thecrimson.com/article/2012/2/7/dunster-figaro-opera/</link><description>Stellar performances and a solid orchestra score the Dunster House Opera another triumph.</description><pubDate>2012-02-08 09:52:42</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Nicholas R. Gordon</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/dunster-figaro-opera/</guid></item><item><title>Denis’ Films Deconstruct Racial Dynamics</title><link>http://www.thecrimson.com/article/2012/2/7/Claire-Denis-White-material/</link><description>Internationally celebrated director Claire Denis visited the Harvard Film Archive to present her two latest films, "White Material" and "Aller Au Diable," which probe cultural clashes and the legacies of imperialism. </description><pubDate>2012-02-07 03:35:17</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Philip Y Gingerich</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/Claire-Denis-White-material/</guid></item><item><title>Capturing “Beautiful Resistance”</title><link>http://www.thecrimson.com/article/2012/2/7/palmer-refugee-camp-photography/</link><description>In a new photography exhibition, Alex W. Palmer ’12 displays his photos of daily life in the Palestinian refugee camp where he worked. </description><pubDate>2012-02-07 03:37:35</pubDate><media:content url='/media/photos/2012/02/07/002558_1268427_630x420.JPG' /><media:thumbnail url='/media/photos/2012/02/07/002558_1268427_630x420.JPG' /><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Aisha K. Down</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/palmer-refugee-camp-photography/</guid></item><item><title>Pop Singers, Standards, and Sentimentality</title><link>http://www.thecrimson.com/article/2012/2/7/paul-mccartney-standards/</link><description>What is motivating the pop stars of yesterday to embrace the popular songs of eighty years ago? The question is perplexing, especially when the result is as bad as “Kisses on the Bottom.” </description><pubDate>2012-02-07 11:38:48</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Nathan O. Hilgartner</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/paul-mccartney-standards/</guid></item><item><title>Popscreen: Nicki Minaj's "Stupid Hoe" is a Confused Mess</title><link>http://www.thecrimson.com/article/2012/2/7/nicki-minaj-stupid-hoe/</link><description> The mind of Nicki Minaj must be a confused and frightening place. Mostly confused, but still very frightening.</description><pubDate>2012-02-07 11:33:59</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Alexander  Tang</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/nicki-minaj-stupid-hoe/</guid></item><item><title>Seen and Unseen</title><link>http://www.thecrimson.com/article/2012/2/7/one_way_to_enjoy_art/</link><description>Apparently, you can will yourself into waking up when you need to, along with the proven facts that you can will yourself into a better mood by smiling, and that you can will yourself into believing a placebo will help you even when you know it’s a placebo. I also think that you can will yourself into finding the exact piece of art that you’ve been looking for, knowingly or not.</description><pubDate>2012-02-07 16:59:15</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Molly E. Dektar</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/one_way_to_enjoy_art/</guid></item><item><title>Wennerstrom Ignites Heartless Bastards' Driving Blues Rock</title><link>http://www.thecrimson.com/article/2012/2/7/heartless-bastards-arrow/</link><description>Wennerstrom is in impeccable form as she purrs, yelps, and growls her way through a lyrically weak but otherwise impressive album that draws influences from garage rock, folk, and blues.</description><pubDate>2012-02-07 11:44:24</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Se-Ho B. Kim</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/heartless-bastards-arrow/</guid></item><item><title>of Montreal Gets Personal and Experimental on Latest Release</title><link>http://www.thecrimson.com/article/2012/2/7/of-montreal-paralytic-stalks/</link><description>Front man Kevin Barnes’s emotional sincerity adds a fiery depth that was not present in much of their past work. “Paralytic Stalks” is driven by this depth and reaffirms of Montreal’s creative genius while providing a glimpse into Barnes’s beautiful, troubled soul.</description><pubDate>2012-02-07 11:42:23</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Rebecca J. Mazur</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/of-montreal-paralytic-stalks/</guid></item><item><title>Inspector Artsy</title><link>http://www.thecrimson.com/article/2012/2/7/girl_behind_the_frames/</link><description>I was walking from the direction of Annenberg through the Yard one nippy evening during finals period when a security guard asked me, “What’s with everyone wearing these big glasses?” My reaction, admittedly, was rather severe, but I couldn’t help it. I was incensed. “Sorry that I’m minus 5.5 in one eye and have thick frames,” I snapped.</description><pubDate>2012-02-07 16:54:27</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Anjali R. Itzkowitz </dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/girl_behind_the_frames/</guid></item><item><title>Belichick as Artist in Pats’ Defeat</title><link>http://www.thecrimson.com/article/2012/2/7/belichick_artist_superbowl/</link><description>The gutsy decision of Patriots Coach Bill Belichick to let the Giants score a touchdown at the end of the Super Bowl should be analyzed in artistic terms.</description><pubDate>2012-02-07 02:48:44</pubDate><dc:creator xmlns:dc='http://purl.org/dc/elements/1.1/'>Alexander E. Traub</dc:creator><guid>http://www.thecrimson.com/article/2012/2/7/belichick_artist_superbowl/</guid></item></channel></rss>
