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ARTS
By Jay A. Drummond II
Tuesday, April 17, 2012
Through the concise visual imagery, the powerful perspective of an outsider, and the narrative that attempts to honestly reflect the quotidian struggles of those impacted by the Arab-Israel conflict, Delisle’s latest travelogue is an eye-opening glimpse into a conflict more famous for its headlines than its human dimension.
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ARTS
By Zoe K. Hitzig
Tuesday, April 10, 2012
Pulitzer Prize-winning author Michael Chabon spoke at Northeastern about blending his Jewish heritage with genre fiction.
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ARTS
By Susie Y. Kim
Tuesday, April 10, 2012
Israeli author Etgar Keret plays with fantasy in "Suddenly, a Knock on the Door," his latest collection of short stories.
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ARTS
By Zoe K. Hitzig
Tuesday, April 10, 2012
In “The Sugar Frosted Nutsack,” Mark Leyner crafts a hilarious combination of divine creation and mundane reality.
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ARTS
By Natalie duP. C. Panno
Tuesday, April 10, 2012
Depicting purely mental sequences in a predominantly visual format like that of a graphic novel is never an easy task, and Alison Bechdel sets a high bar for herself in her carefully-constructed, cerebral memoir, “Are You My Mother?”
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NEWS
By Brian C. Zhang
Monday, April 9, 2012
Startup companies are most likely to fail due to personal disagreements within their management teams, according to a new book by Noam T. Wasserman, an associate professor at Harvard Business School.
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FLYBY
By Rachel Gibian, Carly R. Hillman, Nathalie R. Miraval, Valeria M. Pelet, and Miguel Perez-Luna
Friday, April 6, 2012
In light of poetry month FM writers ask bros to eloquently read some poetry and prose. They recite the works ...
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NEWS
By Alyssa A. Botelho
Friday, April 6, 2012
Wilson frames “The Social Conquest of Earth” as a dialogue with painter Paul Gauguin, who penned on the canvas of his 1897 Tahitian masterpiece: “Where do we come from? What are we? Where are we going?”
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ARTS
By Rebecca J. Mazur
Tuesday, April 3, 2012
The setting of “The Orphan Master’s Son” resembles a traditional, fictional dystopian society—yet the fact that this is a real nation, not an invented horror world, makes it much creepier.
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ARTS
By Jihyun Ro
Tuesday, April 3, 2012
Gregory Maguire and Kelly Link’s works highlight just how much creative space the fantasy genre leaves for experimentation.
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