Although rife with action sequences and chase scenes that support a pulse-quickening plot, at its heart “Hanna” is a philosophical musing on the perspective-altering power of life’s inherent beauty.

Director James Gunn enjoyed making “Super” as a response to the traditionally clear-cut morals and lack of consequential reality in the superhero genre.

It is the absurdity of Brand’s actions, Mirren’s wry humor, and a sparkling set of supporting performances that enable “Arthur” to coalesce into a delightful comedy—even if it entirely lacks substantive moral value.

With its retelling of a medical miracle and less inspiring display of sentimental schlock, the film succeeds as a macrocosm of ’60s culture but is ultimately too trite to serve as a chronicle of a father's reconnection with his long-lost son.

“Super” is not a movie about a hero; it is rather about the impossibility of one. It illustrates what a superhero would really be like in the modern world and the harm to society that would result from someone stepping into such a role.

The simple realization of each of the film’s flawed characters that it’s okay to ask for "more, please"—whether from a romantic, friendly, familial, or spiritual relationship—instead of cynically muddling along alone rings strong and true.

As its title suggests, "Certified Copy" explores the relative values of imitations and originals in art but also, more ambiguously, in life.

Ever wonder what the mastermind behind the "Nutty Professor" is up to these days? Come to Boylston Hall from 6:30 p.m. - 8:30 p.m. on Thursday to see an advanced screening of "I AM," the newest work of Tom Shadyac, director of classic comedies such as "Bruce Almighty," "Ace Ventura: Pet Detective," and the "Nutty Professor."

The ambitious series was originally developed by the History Channel—its most expensive program to date—only to be canceled after completion due to outcry from friends, relatives, and former aides of the late president.

An unconventional family drama, the film tugs at the heartstrings while making use of authentic characters and quirky dialogue to avoid the pitfalls of cliché and its story’s occasionally implausible plot points.