The sound of music will soon be floating down the halls of Pforzheimer House—but there might be a few missed notes.

Harvard faculty continue to look nervously at snacks that disappeared from faculty meetings in the wake of the 2008 financial crisis.

A master conductor can guide a symphony to reach its full potential. An electrifying soloist can compensate for uninspired programming. ...

An exotic hum resonated in Sanders Theatre last Tuesday, September 27. The piercing sound of Galician bagpipes enveloped the hall ...

Last Saturday, singer-songwriter Sharon Van Etten performed at the Harvard Student Organization Center at Hilles (SOCH) for the kickoff event ...

The problem with his latest effort “Ashes & Fire” is that in his recent two-year hiatus from recording, he seems to have forgotten all of the charisma and arrogance that made him so appealing in the first place.

Zola Jesus’s previous two albums were, in a certain sense, more straightforward. Danilova, operatically trained since childhood, let her throaty, raw-yet-velvety voice dominate the arrangements by keeping atmospherics and instrumentals minimal. Her third venture into an almost gothic style of somber rock marks the evolution of her style away from this sparse aesthetic

“Kinshasa One Two,” is an album that’s much less governed by the intentions of the producers and much more by the people and sounds of the city.

The concert was an electrifying performance of their latest album, “Torches,” and was equal parts spectacle and dance party.