Stellar performances and a solid orchestra score the Dunster House Opera another triumph.

"Rope" by the HRDC promises edge of your seat thrills at the Loeb Ex

The gutsy decision of Patriots Coach Bill Belichick to let the Giants score a touchdown at the end of the Super Bowl should be analyzed in artistic terms.

Kramer and music director Matthew A. Aucoin ‘12 deal with this tangle of relationships in much the same way that most directors have since 1784, but with one outstanding exception: they translated the opera themselves.

Although “Wandaleria” isn’t quite as novel as one might hope, this is overcome by fantastic performances by the cast.

Eric R. Brewster ’14 and Avery A. Leonard ’14 fought off drooping eyelids and the urge to sleep last week as they held a phone conversation that lasted for 46 hours, 12 minutes, 52 seconds, and 228 milliseconds—potentially setting a new world record.

The audience never saw the island in McTaggart’s vision. Instead, set designer Madelynne A. Hays '13 explored McTaggart’s theme of magic in art through the set. As opposed to an outdoor vista, the stage is a hauntingly accurate artist’s studio, complete with hundreds of books, paint sets, and other various curiosities.

When unmarred by microphone malfunctions, the songs are executed with passion and cohesion.

Emily B. Hyman ’13 discusses her career as an actress in Harvard’s theater community.

The musical follows rebellious genius Melchior Gabor and his newly pubescent friends as they learn about the facts of life, in defiance of an adult society in late 19th-century Germany which attempts to keep them in the dark.