Rosenfeld incorporates both sound and visuals into her installations, alongside dance, photography, costumes and interesting visual spaces. Each uses the breadth of human sense, not just one particular point on the artistic spectrum.

“Tangible Things” includes both a stand-alone exhibit in the Science Center and guest objects—things taken from their expected locations and shunted into new settings and collections throughout the campus.

Tomorrow night, the Office for the Arts is hosting a Clay All Night event for all of us looking to express our creative sides.

Enrollment restrictions and the financial crisis conspire to hinder undergraduates who want to develop new skills in the visual arts.

In an hour-long presentation, Renn highlighted important events in LIFE’s 36-year history, from its inception by Henry Luce in 1936 to its promotion of Regionalist, figurative, and abstract painters, female and African-American artists, and even modern architects.

Why, Hollywood? Why?

Amidst the demons of “Saw 3D” and “Resident Evil: Afterlife” that have been stalking the big screen lately, another fiend recently arose from quite the unexpected source: “Toy Story 3.”

Harvard students waiting outside Berryline for their favorite frozen dessert are in for an entirely different kind of treat these days—the sight of seventies-clad revelers waiting in line to see “The Donkey Show,” the premiere of Diane M. Paulus’ ’87 inaugural season as artistic director of the American Repertory Theater.

Deep within the windowless basement of Sever, in the wee hours of the morning near the end of the semester, ...