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Owens has been empowered by his transition from a fairly straightforward indie surf-rock, Coachella-playing band to a more experimental solo career that shares the eclecticness of his musical talent.
Iceage’s pent-up frustration is very good news for the listener—judging by “How Many,” there will be plenty of energetic angst to fuel their upcoming album, "Plowing into the Field of Love."
“Tomorrow’s Modern Boxes” continues Thom Yorke’s search for a transformation. With the total abandonment of guitar, the addition of repetitive and pulsing synths, and a new, emotionally reserved sound, Yorke presents his most minimalistic and contemplative work yet.
Although the intro proclaims that Kendrick is “not a rapper, he's a writer, he's an author,” the song doesn’t demonstrate Kendrick’s narrative prowess to the extent of his past work. It does, however, evidence Kendrick’s versatility.
Victoria Lin discusses the disturbing diet and body image trends that the fashion industry promotes.
As Rachel and Sarah continue their trip, more of their own memories and insecurities are examined.
If you can overlook its decidedly clichéd aspects, “The Equalizer” is an entertaining film that is brilliantly gratuitous in violence and even wanders briefly into the profound thanks to the steady hand of Denzel Washington.
Shinique Smith's mural "'Seven Moon' Junction" recently opened in Dewey Square Park.
Janet Echelman installed her largest sculpture to date at the 2014 TED Conference. "Skies Painted with Unnumbered Sparks" spanned 745 feet across the waterfront in in Vancouver, suspended from skyscrapers.