- Subscribe via RSS
Kele has produced a carefully balanced mixture of soulful rhythms and electronic beats to complement his profound lyrics on an eclectic but sometimes-inconsistent album.
University President Drew G. Faust and several art specialists agreed on the importance of art museums on university campuses at a panel discussion Thursday afternoon.
There’s a promising show in the works for fans of humor. “Laughter on the 23rd Floor,” produced by the Harvard-Radcliffe Dramatic Club and The Office for the Arts, is a comedy about comedy. Directed by Boyd I.R. Hampton ’16, the play premieres Oct. 17 at the Loeb Experimental Theater.
Despite its flaws, “St. Vincent” is a fairly enjoyable experience, neither a must-see nor a total waste of time. Bill Murray stars alongside Melissa McCarthy as a hedonistic grouch who begins babysitting the son of his next-door neighbor.
A daughter brings home her fiancé to meet her parents, a somewhat ordinary event for most American families. Yet for the Newquist family, no event is ordinary. Harvard-Radcliffe Dramatic Club’s production of “Little Murders,” running from Oct. 17 to Oct. 25, is a dark comedy about a girl, Patsy Newquist, and her dysfunctional family.
As Sarah and Rachel continue through Indiana, Sarah reveals her marital problems while Rachel remembers other drives she's taken.
Running from Oct. 9 to Oct. 11, Harvard-Radcliffe Dramatic Club’s “With Fates Driving”—written by Alona Bach ’16, scored by Eric R. Corcoran ’16, and directed by Sean K. Hardy ’16—presented a brilliant treatment of the fourth book of Virgil’s “Aeneid” that was both fresh and loyal to the source, proving definitively that it is possible to present an interesting and novel treatment of a text without subjecting it to intellectual fads.