Enya Huang ‘19 crafts a paper lantern to celebrate the Chinese Spring Festival in the Freshman Arts Room on Wednesday.
Lighting designer and actress Eliza B. Mantz '18 is one of the most prolific theater-makers to declare the new Theater, Dance and Media Studies concentration.
When Landon Roussel—Cambridge resident and primary care doctor at Mount Auburn hospital—undertook the Way of St. James for the third time, the pilgrimage became a complex spiritual journey of reconciliation with his estranged brother, Cary.
Located in Holworthy Basement, the space is commonly used for evening workshops and the artistic pursuits of freshmen, but is currently only open on Wednesdays from 8 p.m. to midnight. The new initiative extends those hours to 24/7.
Frank O. Gehry will be the first architect to receive the annual Harvard Arts Medal.
Eliza B. Mantz '18, an active Harvard-Radcliffe Dramatic Club member and one of twelve Theater, Dance, and Media Studies concentrators.
"You, Me and the Apocalypse" shines with sharp performances, crisp dialogue, and a clever sense of humor.
What exactly is the hit app "Neko Atsume: Kitty Collector," and why do so many people love it so much?
The cast of “The Rake’s Progress,” a Harvard-Radcliffe Dramatic Club production, rehearse on Friday evening. The neoclassical English opera opens on Wednesday, February 3 in the Agassiz Theatre.
Desmond L. Green ’17, Maddie O. Studt ’16, and Duncan W.M. Saum ’18 rehearse in preparation for the upcoming opera “The Rake’s Progress.”
Asia T. Stewart ’18 performs as Anne Trulove during a rehearsal for “The Rake’s Progress.”
HCO’s decision to perform “The Rake’s Progress” is an ambitious one that will, with a little bit of luck, bring out the best in its enormously talented cast and crew while allowing viewers to enjoy an acclaimed modern opera.