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In its Nov. 11-15 production of Philip Glass’s “In the Penal Colony,” the Boston Lyric Opera provocatively explored issues of justice, torture, tradition, and authority. The result was modern opera at its finest: tense, daring, and darkly relevant.
On "Purpose," Justin Bieber and his myriad producers create a coherent new vision of the artist's persona.
The EP demonstrates that, if anything, Kline isn’t content to rest on her indie pop laurels but is still striving for more varied modes of expression.
Jay Calderin, founder of Boston Fashion Week, spoke at the Cooper Gallery of African & African American Art last Sunday afternoon.
Founder of Boston Fashion Week, Jay Calderin came to the Cooper Gallery to speak on its new exhibit "Black Chronicles II." Prior to his Nov. 15, Calderin spoke with The Crimson about his thoughts on the exhibit and his experiences as a leader in fashion.
"The Gold Eaters" paints a vivid picture of 16th-century Peru, with convincing perspectives from both the Spanish and the native side. But despite its accomplished tone of historical realism, as a novel it is somewhat lacking in plot depth and character maturity.
The printing presses in the basement of The Harvard Crimson newspaper at 14 Plympton Street.
The Harvard Crimson has undergone numerous changes, both online and in print, over the past two decades. These changes have shaped the newspaper's focus in both design and content.
Emilio Madrid-Kuser, a junior at New York University, photographs Reva Nohria ‘17 as part of the #BetterSexTalk campaign.