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"Let it Happen" works equally well as an intimate psychedelic exploration and a Daft Punk-esque banger. In short, it’s a stunning reemergence.
To Pimp a Butterfly” is artistically exquisite and emotionally profound— Kendrick Lamar is not simply a rapper but an artist of the highest caliber.
Kevin J. Friel and Anna Kim collaborate on a romantic playlist and share their insights about the genre.
Kirin Gupta investigates the cultural practice of "self-archiving."
Cherie Z. Hu speaks to photographer Jordan H. Hayashi and jazz vocalist and composer Laila Smith about art for more than art's sake.
The Boston Lyric Opera’s production of Czech composer Leos Janacek’s opera, “Katya Kabanova,” was an emotionally charged presentation driven by rich vocal performances and well planned staging.
Joe C. Viola, the male lead in the Harvard production “The Last Five Years,” rehearses a song from the musical in the Leverett Library Theater. Viola, a sophomore at Boston Conservatory, joined the Harvard production through Harvard Radcliffe Dramatic Club common casting, which allows anyone to audition for shows regardless of Harvard affiliation.
Joe C. Viola, a sophomore at Boston Conservatory, rehearses a song from the musical “The Last Five Years” in Leverett Library Theater as co-star and Crimson editor Julia I. Biedry ’17 watches. Viola and Biedry play a couple driven apart by their careers in the Harvard production of the musical written by Jason Robert Brown.
The male lead of “The Last Five Years,” Joe C. Viola, left, consults director, Steven Kunis ’17, right, during a rehearsal for the production, which will open April 2.
Members of the musical ensemble of “The Last Five Years” laugh with music director Melanie J. Rucinski ’15 at a rehearsal on March 24. The previous night was the show’s first rehearsal with the full pit. “It really adds huge depth to the performance,” says Julia I. Biedry ’17, lead actor and inactive Crimson editor, of rehearsing with the full ensemble.