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Lorena M. Benitez describes the process of selecting fabrics and showcases some of her designs.
Emelie O’Hara and Nick Huff perform Kerry Tribe’s Critical Mass, a work based on Hollis Frampton’s 1971 film. The actors reenact the film from memory and sustain a 20 minute argument full of repetitive motions and phrases.
Ivie Tokunboh ’16 guides fellow dancer Elizabeth Leary in an exhibit, entitled “Two Walking Mirrors for the Carpenter Center,” which will be open to the public until October 25.
In his second memoir, “Gamelife,” Michael Clune has given himself quite a task: to examine how computer games, popularly synonymous with hours wasted vegetating in front of a screen, profoundly shaped his identity.
The launch on Thursday night marked the culmination of several years of effort to incorporate the dramatic arts more fully into the University’s academic offerings.
Kevin B. Holden ’05 quotes poetry slowly, cautiously, dredging each line from memory with a look of intense concentration.
In “Honeymoon,” the candy layer that coated “Born to Die” and was already thinning on “Ultraviolence” has ceded completely to something sadder, something darker, something more bitter—and something more coherent and compelling.
"Of course naturalism is one very important way to tell the truth, but it is only one way,” Rushdie says. “I guess I’m just encouraging people to be a little more radical in the way they read.”
Despite the frequently quick turnover for synthy artists, Chvrches shows no signs of falling into a sophomore slump on their second album, “Every Open Eye.”
Following the premiere of its much-maligned experimental documentary, “The Reflektor Tapes,” Arcade Fire is debuting five previously unreleased songs—two of which, “Get Right” and “Crucified Again,” will be released on 7-inch vinyl.