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University President Drew G. Faust and several art specialists agreed on the importance of art museums on university campuses at a panel discussion Thursday afternoon.
BachSoc’s Oct. 10 concert, while containing some shining moments of musicianship, was a somewhat ragged affair and fell somewhat short of the ensemble’s usual brilliance.
“Tempo,” which will run from Oct. 16 to 17 at the Harvard Dance Center, showcases a variety of musical genres and modern dance styles, including classical, jazz, and contemporary.
Chris Thile is a 2012 MacArthur Fellow and mandolin player for the bluegrass quintet Punch Brothers, as well as the acoustic trio Nickel Creek.
In her last three studio albums, Carter has displayed unique vision and curiosity by exploring the stories of her ancestors and reinterpreting them through her own musical lens.
What is the role of violence and shock in poetry today? Or, as English professor and critic Stephen Burt asked at the “In Extremis” poetry panel Oct. 1, “What does a poet gain or lose by having blood all over the page?”
Ranging from coffee mugs to Thanksgiving turkey plates, Brandl's work boasts compelling scenes set in the artist’s Midwest childhood home that poke, prod, and unsettle the viewer with their piquant historical allusions, terse humor, and sharp social commentaries.
As a dancer in Boston Ballet II, Kiernan-Linn is in the studio weekdays from 9:30 a.m. to 6:30 p.m.—a schedule that will only become more hectic as Boston Ballet begins its performances at the end of October.
The Crimson had a chance to catch up with "The Exorcist" director on Sep. 27 before a screening of his 2011 film “Killer Joe" at the Harvard Film Archive.
The discussion series offers a way of looking at the role of theater activism and the continued relevance of the arts and humanities, and also presents the issues at hand in a new light.
The Parker Quartet will present its first concert as Blodgett Artists-in-Residence on Friday, Sept. 26 at 8 p.m. in the John Knowles Paine Concert Hall.