Film


‘The Music Never Stopped’ is Clichéd Yet Captivating

With its retelling of a medical miracle and less inspiring display of sentimental schlock, the film succeeds as a macrocosm of ’60s culture but is ultimately too trite to serve as a chronicle of a father's reconnection with his long-lost son.


Gabe (Lou Taylor Pucci) and his father Henry (J.K. Simmons) bond through songs of the '60's in "The Music Never Stopped."


Overly Dark ‘Super’ Unwittingly Undermines its Premise

“Super” is not a movie about a hero; it is rather about the impossibility of one. It illustrates what a superhero would really be like in the modern world and the harm to society that would result from someone stepping into such a role.


Rainn Wilson plays Frank, aka "The Crimson Bolt," in "Super."


‘Happythankyoumoreplease’ is a Moving Morality Play for Moderns

The simple realization of each of the film’s flawed characters that it’s okay to ask for "more, please"—whether from a romantic, friendly, familial, or spiritual relationship—instead of cynically muddling along alone rings strong and true.


Pablo Schreiber and Zoe Kazan in Josh Radnor's "Happythankyoumoreplease."


Controversial 'Kennedys' To Premiere April 3

The ambitious series was originally developed by the History Channel—its most expensive program to date—only to be canceled after completion due to outcry from friends, relatives, and former aides of the late president.


Director of 'Bruce Almighty' To Speak About New Film

Ever wonder what the mastermind behind the "Nutty Professor" is up to these days? Come to Boylston Hall from 6:30 p.m. - 8:30 p.m. on Thursday to see an advanced screening of "I AM," the newest work of Tom Shadyac, director of classic comedies such as "Bruce Almighty," "Ace Ventura: Pet Detective," and the "Nutty Professor."


For Fukunaga and Wasikowska, ‘Eyre’ is About Equality

Living up to Brontë’s iconic novel is a difficult task, something not lost on the makers of “Jane Eyre.” “Literary [adaptations] are more of a risk,” said director Fukunaga. “You just have to hope people accept your interpretation.”


McCarthy’s Latest is a ‘Win Win’

An unconventional family drama, the film tugs at the heartstrings while making use of authentic characters and quirky dialogue to avoid the pitfalls of cliché and its story’s occasionally implausible plot points.


Mike Flaherty (Paul Giamatti) and family in Tom McCarthy's "Win Win."


Senseless 'Sucker Punch' Confounds

“Sucker Punch” had the potential to be a superb and inventive commentary on the objectification of women or on the human mind, or even just a fun anime-style action flick. Instead, it becomes a mess of video-game references, sequins, and general confusion.


Baby Doll (Emily Browning) leads a pants-averse posse of femme fatales in "Sucker Punch."


Slick street-smart attorney Mick Haller (Matthew McConaughey) surveys the courtroom in “The Lincoln Lawyer.”


Mia Wasikowska plays Jane Eyre in director Cary Fukunaga’s film of Charlotte Brontë’s gothic novel.


In tough economic times, major film studios grow more financially conservative. The result is a greater percentage of movies that rely on recycled stories and rehashed historical events, and fewer with original screenplays or innovative premises.


Secondhand Showings

In today's economic climate, film studios shy away from movies with original screenplays and innovative premises.


Sci-Fi Parody ‘Paul’ is Too Safe a Satire

While Pegg's and Frost's prior collaborations have pushed audiences’ limits and had resultant moments of comic genius, “Paul” takes a safer—if more lucrative—route, settling for taking easy shots at Bible-thumpers and comic-book nerds.


Alien encounters are one of the many sci-fi genre traditions lampooned in "Paul."


'Jane Eyre' a Creepy Recreation

Though not entirely successful in the endeavor, Cary Fukunaga's film distinguishes itself as a unique adaptation of Brontë’s novel by shifting the story’s tone from one of a classical romance to one of a dark and troubled love affair.


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