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"Wolves" effectively showcases West’s emotional state, but is anticlimactic and overly autotuned.
Renowned organist Cameron Carpenter demonstrates his custom made International Touring Organ during a master class in Sanders Theater on Wednesday evening.
Renowned organist Cameron Carpenter demonstrates his custom made International Touring Organ during his master class. Carpenter himself designed the organ, which debuted in 2014.
Organ virtuoso Cameron Carpenter talks to student Noel G. de Sa e Silva '16 before his master class on Wednesday. Silva was one of three students that participated in the master class.
Wearing gold sneakers and grey skinny jeans, internationally acclaimed organist T. Cameron Carpenter led a master class on his digital, custom made, International Touring Organ in Sanders Theater on Wednesday night.
The Boston Ballet presents Lady of the Camellias.
Taylor L. Vandick ’16 performs with the Radcliffe Pitches at Femme Fest on Sunday afternoon. Femme Fest celebrated the beginning of Women's Week at Harvard with a gallery of female art and a keynote address by Stephanie R. Khurana, co-master of Cabot House.
The audience seats at the John Knowles Paine Concert Hall can also be used as study spaces. On-campus orchestra groups use this space for rehearsal as well.
Though “Vestiges and Claws” is both melodically and lyrically stunning, José González's third effort offers little in terms of emotional depth or any semblance of artistic innovation from his previous work.
Violently Christian and filled with Millenial obscenity, "No Shade in the Shadow of the Cross" straddles apparently contradictory worlds, inhabiting a deeply melancholy and liminal space of its own.
Karen E. Christianson ’17 practices performing on the organ on Friday afternoon in Memorial Church. She has recently toured throughout Europe with the Harvard Organ Society.