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"Let it Happen" works equally well as an intimate psychedelic exploration and a Daft Punk-esque banger. In short, it’s a stunning reemergence.
To Pimp a Butterfly” is artistically exquisite and emotionally profound— Kendrick Lamar is not simply a rapper but an artist of the highest caliber.
Watertown resident Donald N. Heller plays the hurdy-gurdy in front of the Harvard Book Store on Wednesday afternoon. Heller said he prefers playing on the periphery of the Square because the more crowded areas with lots of musicians can become a “circus.” “I like this spot,” he said, “this spot here.”
Andrew Lippa sits down with The Crimson to talk about his work in musical theater and his critically acclaimed oratorical, “I Am Harvey Milk.”
Joe C. Viola, the male lead in the Harvard production “The Last Five Years,” rehearses a song from the musical in the Leverett Library Theater. Viola, a sophomore at Boston Conservatory, joined the Harvard production through Harvard Radcliffe Dramatic Club common casting, which allows anyone to audition for shows regardless of Harvard affiliation.
Joe C. Viola, a sophomore at Boston Conservatory, rehearses a song from the musical “The Last Five Years” in Leverett Library Theater as co-star and Crimson editor Julia I. Biedry ’17 watches. Viola and Biedry play a couple driven apart by their careers in the Harvard production of the musical written by Jason Robert Brown.
The male lead of “The Last Five Years,” Joe C. Viola, left, consults director, Steven Kunis ’17, right, during a rehearsal for the production, which will open April 2.
Members of the musical ensemble of “The Last Five Years” laugh with music director Melanie J. Rucinski ’15 at a rehearsal on March 24. The previous night was the show’s first rehearsal with the full pit. “It really adds huge depth to the performance,” says Julia I. Biedry ’17, lead actor and inactive Crimson editor, of rehearsing with the full ensemble.
Professor Derek Miller plays a selection from “The Sound of Music” from his laptop and speaks about the relationship between lyrics and melody on Monday afternoon as part of the “Readings in the Parlor” series presented by the Department of English in the Barker Center.
Professor Derek Miller speaks about the semiotics of the song, "Do-Re-Mi" from the musical "The Sound of Music" on Monday afternoon as part of the “Readings in the Parlor” series presented by the Department of English in the Barker Center.
The Quad Sound Studios have been open for recording since the spring semester of 2014, and are located in the basement of Holmes Hall in Pforzheimer House.