On Mar. 31, the Fromm Players performed an eclectic assortment of pieces ranging from folk songs to contemporary concert music.
The Harvard-Radcliffe Dramatic Club’s production of “The Laramie Project” tells the true story of Matthew Shepard, a gay man who was beaten to death in Laramie, Wyoming in 1998 in one of the most infamous anti-BGLTQ hate crimes in history.
“Out of Orbit,” a space-themed collaboration between the Harvard Ballet Company and the Harvard Pops Orchestra, has astronomical ambition and stellar (new)tunes.
Bedlam Theater Company’s “Saint Joan,” which ran at the Cutler Majestic Theatre at ArtsEmerson until March 24, is clear as a bell—even if its audience cannot hear the divine “voices” that Joan hears.
The audience members stood on their feet, exuberantly chanting the religious refrain “Rocka My Soul in the Bosom of Abraham” and dancing from side to side. On stage, members of the critically acclaimed Alvin Ailey American Dance Theater company finished their final dance and waved goodbye with a smile.
The Harvard-Radcliffe Gilbert and Sullivan Players’ production of "The Yeoman of the Guard" will bring fresh life to the Savoy opera with bold casting choices and an intricate set design.
On March 4, award-winning poet and playwright Claudia Rankine sat down to continue a conversation she started with her new play “The White Card” with over 1,000 people in Boston.
The Harvard Ballet Company and the Harvard Pops Orchestra are coming together for "Out of Orbit," which will combine classical ballet and music to bring outer space to the Loeb Mainstage.
“The White Card” demands as much from its audience as its actors, drawing spectators to see the world recreated on stage as simply that: a recreation of what Rankine calls the “fault line between black and white lives.”