Theater

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On Campus

Behind the ART of Human Rights

The discussion series offers a way of looking at the role of theater activism and the continued relevance of the arts and humanities, and also presents the issues at hand in a new light.

Theater

Perhaps too ‘Far from Heaven’

At its core, "Far From Heaven" has a very important story to tell concerning the ease with which a person can lose their identity within societal expectations. Unfortunately—despite the musical’s few technical strengths and evocative acting at some points—the production loses its message amidst a presentation that is at once clichéd and painfully sentimental.

Lakme Picture
Theater

Lakme Picture

Theater

'Dinner' Served Lukewarm

Simply put, “Guess Who’s Coming to Dinner” suffers from thematic inconsistency: from the direction to the performances and even the wardrobe, the show tries and fails to make the production simultaneously a contemporary criticism of racial dynamics in America and a unique cultural product of the ’60s.

Finding Neverland Picture
Theater

Finding Neverland Picture

Cast of "Finding Neverland" brings magic to the stage.

Finding Neverland Picture
Theater

'Finding Neverland' an Enduring Wonder

The freshness of the darker musical numbers and dynamism of the cast salvage these occasional stumbles into simplicity and sweetness, practically ensuring that “Finding Neverland” will be a Broadway success.

OBERON
Theater

Activists Speak about Homosexuality, Art in Uganda

The American Repertory Theater and the Carr Center for Human Rights Policy kicked off a series of events on art and human rights Tuesday.

On Campus

"Penelope" is an Exciting Odyssey

Directed by Jacob A. Brandt ’14, "Penelope", which runs from April 25 to May 3 on the Loeb Mainstage, gleefully collides the sublime with the ridiculous, transporting a mainstay of world literature to a banal, seedy modern-day setting. In the able hands of its four main actors, the Harvard-Radcliffe Dramatic Club’s production pulls off the play’s comic elements without passing over the sense of unease at the play’s heart.

On Campus

"Daisy" Deals with Fear in the Atomic Age

The atomic bomb has long been a source of American fascination and horror. But what happens when the bomb shelter is more terrifying than the bomb itself? “Daisy,” a new play written by Simon A. de Carvalho ’14 and directed by Max R. McGillivray ’16, explores this question in the claustrophobic confines of the Loeb Ex from April 30 to May 3.

Music

Upcoming Highlights from Arts First

The Crimson previews choice events from Arts First 2014, May 1-4.

On Campus

An Enchanting “Midsummer Night’s Dream”

Perhaps fitting for a play that deals so much in dreams, director Mikhaila R. Fogel ’16’s production of “A Midsummer Night’s Dream,” which ran through April 20, offered college-age viewers a fantastical glimpse back to their childhood in the ’90s (and its attendant fashion nightmares). Though not perfect, the Hyperion Shakespeare Company’s utterly committed performances and campy take on classic theater made for an enchanting show that more than overcame its flaws.

On Campus

"The Drowsy Chaperone" Is a Vaudeville Extravaganza with a Modernist Flair

The Harvard-Radcliffe Dramatic Club’s production of “The Drowsy Chaperone,” set to run April 25 to May 4, is a vaudeville extravaganza with a modernist flair. A show-within-a-show, the musical focuses on the ensuing escapades before the wedding of diva Janet van de Graaf (Tess V. Davison ’16)—all accompanied by commentary from the mysterious narrator Man in Chair (Andy J. Boyd ’14).

On Campus

Kushner's Classic Resurrected

From April 17 to 19, Sayantan Deb ’14 will direct the first part of Tony Kushner’s play “Millennium Approaches: Angels in America Part 1” at the Adams Pool Theater. Although the play is set during the American AIDS epidemic of the 1980s and has three gay protagonists, Deb and the cast emphasize that “Angels” is not a play about being gay, but is rather a play about universal human relationships.

On Campus

Song Cycles Done Right in "Songs for a New World"

Song cycles occupy a peculiar position in the arts world. Lacking plot or cohesive characters, they offer an opportunity for experimentation but may also be prone to poorer productions: stellar acting cannot substitute for lackluster vocal talents, poor directing cannot be overshadowed by plot or characters, and the ability to synthesize a common theme among many pieces becomes crucial. Fortunately for Harvard-Radcliffe Dramatic Club’s “Songs for a New World,” which ran April 10 to April 12, most of these obstacles were overcome.

On Campus

“The Shape She Makes” Makes Movement Matter

“The Shape She Makes” will play at the OBERON in Cambridge until April 27. Its complicated narrative and performance structure succeeds because creative directors Jonathan Bernstein and Susan Misner ambitiously create moments of intrigue and emotion within each scene.

Echelman string sculpture
Visual Arts

Painting the Town: Boston's Big Art

Boxes
Columns

ISIL is Not the End of the World

Difficulty Defining
Columns

The Difficulty of Defining Difficulty

Reshuffling the Caseload
College

Unloading the Ad Board