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ARTS
By Giselle Barcia
Monday, May 5, 2008
Harvard Ballet Company (HBC) organized its spring show, performed on April 25 and 26, around its eponymous title: the second
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ARTS
By Giselle Barcia
Sunday, December 16, 2007
In “Apollo,” the second piece of “Modern Muses,” three muses dance for a god, competing to accompany him in a
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ARTS
By Giselle Barcia
Friday, December 7, 2007
“The story can resume,” writes Robbie Turner, a British soldier fighting in World War II, to Cecilia Tallis, his beloved.
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ARTS
By Giselle Barcia
Sunday, October 28, 2007
The ballet that began the reign of Romantic ballet, “La Sylphide,” also began the Boston Ballet’s 2007-2008 season at the
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OPINION
By Giselle Barcia
Friday, August 10, 2007
As two beautiful youngsters step on the stage clad in Spanish-like garb, the room went silent. The pair strikes their
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ARTS
By Giselle Barcia
Tuesday, August 7, 2007
“And that night, man asked woman—if she was busy,” says a robed figure as three others mystically chant in hushed
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NEWS
By Giselle Barcia
Friday, July 20, 2007
Alan T. Gilbert ’89, the chief conductor of the Royal Stockholm Philharmonic Orchestra, will be the new music director of
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ARTS
By Giselle Barcia
Tuesday, July 17, 2007
Some plays should never be performed. Directed by Aileen K. Robinson ’08, and co-produced by Benjamin M. Poppel ’09 and
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NEWS
By Giselle Barcia
Friday, July 6, 2007
CORRECTION APPENDED José F. Alegría '07, a 21-year-old recent Harvard College graduate and former Eliot House resident, died early last
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ARTS
By Giselle Barcia
Friday, June 29, 2007
CORRECTION APPENDED Shakespearean theater requires the contemporary performer to make an initial choice between tradition and creative reinterpretation. Directed by
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