Andres A. Arguello

Film

'Where the Wild Things Are'

Ten plain lines and eighteen colorful illustrations—this is all that comprises Maurice Sendak’s beloved 1963 children’s book, “Where the Wild ...

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Harry Potter and the Half-Blood Prince

For the sixth and third-to-last time, we enter J.K. Rowling’s enchanting cinematic realm of magic and mischief. But a new

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Keeping Up Appearances

A large drapery hangs from the entrance of the Arthur M. Sackler Museum, detailing the evolution of Harvard’s art museums

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Blurring Bilingualism

PRIMERA PARTE: AN AMERICAN IN GRANADA, NICARAGUA After two hours of trekking on a rocky, uneven path, we finally reached

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Julie Claire "JC" Guest ’11

Julie Claire Guest ’11 looks displeased when she receives Al Gore ’69 as her source for inspiration in FM’s third

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Mnemonic Chaotic But Captivating

In the first few minutes of “Mnemonic,” the audience is asked by a psychology professor turned stand-up comedian (Rory N.

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The 45-Year HRO-Pus of Dr. Yannatos

At the age of five, James Yannatos pointed to a violin in a New York City store window and asked

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Blindness

Industrial lights reflect intermittently off the windshield of a speeding automobile as “Blindness,” the new film by acclaimed Brazilian director

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Summer Reading: The Post-American World

After reading Fareed Zakaria’s “The Post-American World,” I began to regret having dropped Chinese Ba after one very frustrating fall

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Covering the Yard's Art

Each and every day, crowds of tourists—cameras in hand—swarm a seated, stoic John Harvard. While the statue—the third most photographed

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New Year, New Theater!

Tired of the gray skies and dirty snow of Cambridge? Well, it’s only going to get worse in January. But

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El Orfanato (The Orphanage)

A haunted orphanage, a mass murder gone awry, a hidden basement, a kidnapped child, and an eerie, ghost-filled cave. Think

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In New Site, IOP Aims at Youth

The Institute of Politics released a new Web-based initiative this week called “No Vote, No Voice” in an effort to

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Love In The Time Of Cholera

We enter the romantic domain of Gabriel García Márquez’s Cartagena, Columbia during the first few scenes of “Love in the

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Lions for Lambs

Robert Redford’s “Lions for Lambs” is one of those films that leaves you thinking, “What the heck?” Not in a

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An Evil Woman

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Transatlanticism

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I Am Not at a Cafe

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Away in Argentina