“The Third Reich,” itself exhibiting elements of the detective genre, should be viewed through the lens of a master detective: every sign is indicative of a narrative, and every detail further complicates the layers of complexity already present.
Korea's musicians' methods, though worth questioning, are definitely correlated to the rampant vitality of classical music there, and it would do North American musicians good at least to think about taking a new approach.
Why jazz? Wynton Marsalis’ answer is simple: “Because it’s the national art.” For him, jazz is perfectly suited by its history and its structure to be morphed and meatphorized as an expression of the American identity.