Regina Carter respectfully gives jazz-infused interpretation of African rhythms and melodies

“Winter’s Bone” is beautifully bleak, a marvel because of its unflinching commitment to the relentless realism that always accompanies endurance.

André Aciman’s entire second novel reads like an exercise in bringing a feverish Proustian narrative to twenty-first century Manhattan.

Celebrity jazz concerts are often dreary affairs—museums of dusty music where real jazz goes to die.

Race needs to be talked about openly and immediately. That’s the straightforward message of Code Switch 7, a brand-new theater company founded by the American Repertory Theater’s (A.R.T.) seven African American students: Renee-Marie Brewster, Anthony Gaskins, Kelley Green, Faith O. Imafedon ’07, Richard Scott, Charles Settles, and Lindsay Strachan. Under the mentorship of Professor Robert Scanlan, they will be performing their debut show at 2pm on Sunday, February 7 at Club Oberon.

Fred Ho ’79—baritone saxophonist, composer, band leader, political activist, and Marxist—is a pretty remarkable guy. He aspires to create multicultural ...

Mainly Jazz Company and TAPS team up to explore styles in lively show