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ARTS
By Matthew C. Stone
Wednesday, April 20, 2011
This time next year I will almost certainly be in New York
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ARTS
By Matthew C. Stone
Tuesday, April 12, 2011
The joy of “Tomboy” is in its focus on clean, expressive tunefulness. In that regard, Panda Bear’s latest marks a movement toward a more streamlined method of composition that emphasizes the strength of his songwriting over sonic innovation.
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ARTS
By Matthew C. Stone
Tuesday, April 5, 2011
Roughly 30 years ago, The Crimson ran a review on these very pages excoriating an experimental student production of Vladimir ...
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ARTS
By Matthew C. Stone
Tuesday, March 22, 2011
“Stifters Dinge” confounds the very notion of a performance, insofar as it requires no performers.
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ARTS
By Matthew C. Stone
Tuesday, March 1, 2011
The more I read Kane’s plays, the more intimate and personal they seem.
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ARTS
By Matthew C. Stone
Tuesday, February 15, 2011
Say what you will about the relative merits of the show—“Spider-Man” has become a phenomenon.
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ARTS
By Matthew C. Stone
Tuesday, October 5, 2010
The end product—while admittedly not their finest record to date—ultimately benefits from reveling its own unpredictability and inconsistencies.
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ARTS
By Matthew C. Stone
Tuesday, September 28, 2010
Screenwriter Aaron B. Sorkin and author Benjamin A. Mezrich ’91 put an unauthorized face to the name Mark E. Zuckerberg, the man who chose Facebook over Harvard.
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ARTS
By Matthew C. Stone
Tuesday, April 27, 2010
It’s not often that the arts at Harvard cater to freshmen exclusively, but a new program called the Freshman Arts Collaborative Experience Showcase (FACES) hopes to do just that.
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ARTS
By Matthew C. Stone
Tuesday, April 13, 2010
“You can’t live your life believing every ten-penny self-proclaimed teacher, critic, agent, etc.,” writes David Mamet in “True and False,” his 1997 treatise on acting, “Your first and most important tool is common sense.”
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