This time next year I will almost certainly be in New York

The joy of “Tomboy” is in its focus on clean, expressive tunefulness. In that regard, Panda Bear’s latest marks a movement toward a more streamlined method of composition that emphasizes the strength of his songwriting over sonic innovation.

Roughly 30 years ago, The Crimson ran a review on these very pages excoriating an experimental student production of Vladimir ...

“Stifters Dinge” confounds the very notion of a performance, insofar as it requires no performers.

The more I read Kane’s plays, the more intimate and personal they seem.

Say what you will about the relative merits of the show—“Spider-Man” has become a phenomenon.

The end product—while admittedly not their finest record to date—ultimately benefits from reveling its own unpredictability and inconsistencies.

Screenwriter Aaron B. Sorkin and author Benjamin A. Mezrich ’91 put an unauthorized face to the name Mark E. Zuckerberg, the man who chose Facebook over Harvard.

It’s not often that the arts at Harvard cater to freshmen exclusively, but a new program called the Freshman Arts Collaborative Experience Showcase (FACES) hopes to do just that.

“You can’t live your life believing every ten-penny self-proclaimed teacher, critic, agent, etc.,” writes David Mamet in “True and False,” his 1997 treatise on acting, “Your first and most important tool is common sense.”