Anjali R. Itzkowitz
The Maestro's Medley
Opera is a vital form whose renowned tradition—far from being anachronistic—is perpetually relevant and whose boundaries are still being pushed today at Harvard.
Destroyer Loses Their Charm on Apathetic Latest
“Kaputt” starts waning at its start, its meager nine tracks blending into one apathetic, indistinguishable hour of limp vocals and languishing beats.
Ethnic Art Bypasses Boundaries
November 5 marked the start of the Hindu festival of Diwali, the most important festival in the Hindu calendar. Diwali—which ended November 9—coincided with a generous offering of South Asian cultural events at Harvard, including performances of dance and music by students and professional artists alike.
‘National Ransom’ Reaches Ambitious Heights
“National Ransom” undoubtedly jumps around, but it is such a pleasurable journey that one can forgive the bumps in the road.
‘Stone’ Embraces Moral Ambiguity
A man stumbles drunkenly down a dark alleyway in pursuit of his victim, pins him against a wall, and holds a revolver to his neck. It’s a familiar scene, but in John Curran’s “Stone,” it is parole officer Jack Mabry (Robert De Niro) who brandishes the gun, and convicted criminal “Stone” (Ed Norton) who finds himself within inches of his life
Hersh Chides Obama On Foreign Policy
Pulitzer Prize-winning journalist Seymour Hersh delivered a grim forecast on the state of the wars in Iraq and Afghanistan, and ...
‘False Priest’ Delivers Contrived Sermon
The ancient Athenians, though mighty, were doomed to destruction and ruin—and by the sounds of their latest album, “False Priest,” ...
Bauer Transforms Lobby for ‘The Blue Flower’
Visual artist Ruth Bauer plans to lead students in workshops to create a multimedia exhibit in the Loeb Drama Center lobby.
