Benjamin B. Wilcox

Arts

Conflict on a Bridge

With each new incarnation of the bridge, one senses the parties’ hope that if they just use the right image, the right color scheme, the right slogan, their art will mobilize the legions of followers they have long sought.

Arts

Space for Warped Memory

Today, visitors who pass through ESMA’s doors are greeted by a set of glass doors that muffle the thumping rhythm of a subwoofer. Inside, a cavernous white chamber houses a makeshift jail cell dotted with steel-barred windows. Feel-good music from the 1970s blares from a speaker system overhead, and pulsing neon lights shoot from corner to corner. Overhead, a projector beams out a single word in bolded, multi-colored script: “Indifference.”

Arts

A Past within the Present

Ulises de la Orden, an Argentine documentary filmmaker, would rather not forget. In a country struggling to bury the recent past, de la Orden is obsessed with excavating the crimes of the fledgling Argentine nation-state from the midst of the 19th century. His latest film, “Tierra Adentro” (“The Land Within”), focuses on the little-known Desert Conquest of the 1870s, a campaign that extended Argentina’s borders into the depths of South America, uprooting and largely extinguishing entire indigenous tribes in the process.

Johnston Gate Arts Cover
Arts

Rebuilding the Past: Harvard's Beautification Renaissance

On Year Later: Boston Marathon Bombings
Boston Marathon

VIDEO: Looking Back One Year Later, Harvard Affiliates Prepare to Return to Finish Line

Awkward Eye Contact
Columns

Let’s Talk about Campus-Eye-Contact-Culture

Dictionary
Columns

Ban the Bossy Ban Bossy