Arts Vanity: Unpopular Arts Opinions as Feminist Film Theory

As my journalistic career comes to a close, I have to ask myself: Will I ever be able to appreciate art without reading feminist meaning into it? As shown by this list, probably not.

Editors’ Note: Arts Hits One Million!

We are proud to present the 2019 Arts Year-in-Review — an annual round-up of the best films, albums, TV shows, and books of the year.

‘The Good Place’ Comes to Boston: Creator Michael H. Schur '97 and Actor William Jackson Harper Talk Representation in Comedy

The Crimson sat down with "The Good Place" creator Michael H. Schur and actor William Jackson Harper for a conversation on representation, philosophy, and controversial comedy.

Editors' Note

"All You Need Is Love" is the Arts Board's second annual summer supplement.

All You Need is Love

From Cannes: ‘Matthias et Maxime’ an Unconvincing Romance

Their romance, which is intended to drive the story, inevitably feels like the subplot of two friends who must soon bid farewell.

Cannes Special Edition: Journalists Archetypes

The Cannes Film Festival attracts a number of eccentric types of journalists. Here, Crimson Cannes correspondents break them down.

From Cannes: ‘Once Upon a Time...in Hollywood’ is Nostalgic Fun — If You Can Overlook Everything Else

25 years after he won the Palme d’Or for “Pulp Fiction,” Quentin Tarantino is back at Cannes with his most recent film, “Once Upon a Time...in Hollywood.”

From Cannes: “Nina Wu”: An Unfocused Vignette of #MeToo

Director Midi Z attempts to engage with the #MeToo movement, but relies on the sheer shock value of the abuse of power that ensues to ground the thriller.

From Cannes: ‘Gisaengchung’ (‘Parasite’) Feeds on Class Rage and Humor

For Bong, it’s not just the rich against the poor — it’s much more complicated, which he reveals as his film diverges from a heartfelt comedy into a gripping thriller full of vengeful violence.