The Harvard Crimson sat down with Rice to discuss his concentration in occultism, favorite reads, and his upcoming publication.
Winner of the Palme D’Or at the Cannes Film Festival, “The Square” is a super-smart satire that skewers the contemporary art scene, calls out champagne socialists and shames all of our egos.
The younger audience proved that the classic Noughties rock band’s foray into poppier climes with their newest album “After Laughter” is garnering them new, enthusiastic followers.
In the dark, noisy guitars raged as loud as a cathedral organ; the stage lights flashed like visual sirens.
Paul Beatty’s win for “The Sellout” in 2016, the first time an American won the prize, raises the question of whether the inclusion of talent from across the pond is resulting in the Americanization of the award.