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ARTS
By Rebecca Cantu
Friday, February 14, 2003
Dante Alighieri’s three sagas of the Divine Comedy, written in the 14th century, have long intrigued readers with the stories’
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ARTS
By Rebecca Cantu
Friday, February 7, 2003
Shigeru Ban Gund Hall, Graduate School of Design Next time you change your toilet paper, take a closer look at
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ARTS
By Rebecca Cantu
Friday, December 7, 2001
Stephen Sondheim’s Merrily We Roll Along is a musical without a happy ending. Well, let’s try that again. On its
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ARTS
By Rebecca Cantu
Friday, November 9, 2001
In the days preceding the inaugural production of the Athena Theater Company, comments like “Gamma whatsit?” or more commonly, “Isn’t
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ARTS
By Rebecca Cantu
Friday, May 4, 2001
A play whose description is “a sort of love story with gun and whatnot” is sure to provide a wild
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ARTS
By Rebecca Cantu
Friday, May 4, 2001
Expository Writing 20 is the one universal class at Harvard College. No one can get out of it. First-year students
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ARTS
By Rebecca Cantu
Friday, April 27, 2001
This year’s Freshman Musical, I Spy, got off to an interesting start when executive producer Michael J. Hines ’04 thanked
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ARTS
By Rebecca Cantu
Friday, April 27, 2001
Recently, The Crimson had a chance to sit down with Jeremy Funke, author and director of A Counterfeit Presentment, to
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ARTS
By Rebecca Cantu
Friday, April 27, 2001
For any student of English literature, an encounter with the Shakespeare is inevitable. His work has so permeated the consciousness
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ARTS
By Rebecca Cantu
Friday, April 20, 2001
“Paradise.” “Aaaaaabsolutely.” “Paradise.” “Aaaaaabsolutely.” Beginning unassumingly, with the two characters laying in bed, Ancient History is a play that asks
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