For doing The Missouri Breaks Marlon Brando, as bonkers bounty-hunter Robert E. Lee Clayton, finally got paid ($1.5 million, to

I N DECEMBER 1972, Salvador Allende charged before the United Nations that the crisis of the beleaguered Chilean economy was

The Great Dictator. Chaplin, it seems, can do nothing inconsequential. Even this, which many people don't find very funny, seems

Touch of Evil is Orson Welles's darkest, most disturbing film. Shot in Venice, California after years of exile from Hollywood

In the space of a couple of years during the early seventies, Peter Bohmer, a professor at San Diego State

Chinatown. They'll make a mint showing this, and they deserve to. What seemed to be another cashing-in on the spate

The Thin Man. If you haven't, you must. It's as tight as the book and moves with a drive which

American films in the late 40s and early 50s were dominated by a style called film noir, as the optimistic

D URING THE BOOM decades since World War II, millions of temporary workers have streamed into the industrial centers of

American criticism in the twentieth century has been dominated by a tendency which treats literature as a self-referring activity cut