Paul W. Schwartz

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Two Masters

Several weeks ago Picasso phoned his dealer Kahnweiller in a state of great excitement. He called to say he had

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Two Modes

It has long been a tacit assumption of German scholarship that if something can be defined, it must therefore exist.

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Picasso: The Bathers

At the age of seventy-eight the Maestro is not yet finished with concocting enigmas. For the past six decades we

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Bloom and Levine

In that shattering, synthetic stillness which is Lamont, a moment of warmth has come to pass. Two of Boston's favorite

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Student Collectors

There are probably almost as many reasons for collecting works of art as there are for producing them in the

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Warren House

There are certain personalities in this world who are blessed with a special knack for shedding the prosaic and attracting

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Yoshiaki Shimizu

There are two exhibitions in Cambridge this month which are totally independent of each other but which invite comparison. One

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Maillol

It seems strange that one's image of Aristide Maillol is that of an elderly man, of the master of Banyuls-sur-Mer

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Primitive Art

It has been a long time since the first startling wave of African art made its way to Europe and

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Lyonel Feininger

"Free man, you shall always love the sea," wrote Baudelaire. And it was the sea which animated the hand of

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Students

The art world at Harvard is still in a fairly embryonic state and is likely to remain so until Oregonian

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Deutsche Kunst II

Every so often an administrative coup occurs in the art world in which some large-scale exhibition gets arranged, not according

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Graphic Masters

No one need testify at this point to the genius of Albrecht Durer. The accolades, this time, go to the

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Two Exhibits

The Christmas Show, an annual art world institution, has long been one of the more genteel commercial anticipations of December

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Deutsche Kunst

When the Lurcy collection of modern French paintings went on sale in New York recently, bringing astronomical prices, these improbable,

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Rebuilding the Past: Harvard's Beautification Renaissance

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