Robert G. Kopelson
Leonard Shure
The name Leonard Shure has come to command a great deal of attention in Cambridge musical circles. Last year the
Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight
The great ecological paradox of Harvard music, however, is that in spite of this interdependency and what one would expect
Twentieth Century Chamber Music
Friday's concert in the Kirkland House JCR was an example of the quiet, unsung side of Cambridge musical life. There
Easley Blackwood
The guiding principle of the Harvard Music Department, it is often said, is that music should be seen and not
The Yeomen of the Guard
The work of Gilbert and Sullivan is opera as everyone would have it -- uproarious dialogue peppered with concise musical
Harvard University Band
Concert band has never been anyone's favorite musical medium. Composers shun it, music majors sneer at it, and conductors aspire
Music of Charles Ives
Charles Ives--Yale man, insurance salesman, transcendentalist, composer--surely one of the most unusual figures in the history of music. Danbury Conn.
Mozart's Requiem
The Mozart Requiem is a redoubtable piece of music, largely because it is not all Mozart's. Left unfinished at his
The Harvard Band
Friday night the Harvard University Band pulled up its Soldiers' Field stakes and rolled into Sanders Theatre for its first