Robert G. Kopelson

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Leonard Shure

The name Leonard Shure has come to command a great deal of attention in Cambridge musical circles. Last year the

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Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight

The great ecological paradox of Harvard music, however, is that in spite of this interdependency and what one would expect

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Twentieth Century Chamber Music

Friday's concert in the Kirkland House JCR was an example of the quiet, unsung side of Cambridge musical life. There

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Easley Blackwood

The guiding principle of the Harvard Music Department, it is often said, is that music should be seen and not

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The Yeomen of the Guard

The work of Gilbert and Sullivan is opera as everyone would have it -- uproarious dialogue peppered with concise musical

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Harvard University Band

Concert band has never been anyone's favorite musical medium. Composers shun it, music majors sneer at it, and conductors aspire

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Music of Charles Ives

Charles Ives--Yale man, insurance salesman, transcendentalist, composer--surely one of the most unusual figures in the history of music. Danbury Conn.

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Mozart's Requiem

The Mozart Requiem is a redoubtable piece of music, largely because it is not all Mozart's. Left unfinished at his

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The Harvard Band

Friday night the Harvard University Band pulled up its Soldiers' Field stakes and rolled into Sanders Theatre for its first

Film

"Gatsby" Not So Great

University Finances

Faust's Earnings in 2011 Much Lower Than Those of Other University Presidents and Top Harvard Employees

Features

Female HLS Graduates Enter a Job Market Dominated by Men

Harvard Law School

In HLS Classes, Women Fall Behind