The pretence that society is regulated by eternal, iron laws applying to particular areas is finally revealed for what it

A LAN HEIMERT is everything he is incidentally, in his spare time and a bit against his better judgment. At

The Gilbert and Sullivan Players have mounted a thoroughly banal version of Ruddigore at the Agassiz. That the show is

L AURENCE SENELICK'S production of Women Beware Women is as fluid and incisive as the history of his work suggests

Princess Ida is typical Gilbert and Sullivan, stereotypical in fact. After the play opened at the Savoy in 1884, Sullivan

Somewhere in the commodious vaults where dwell the souls of playwrights dead and gone. Two figures, faces wreathed in mist,

G EORGE Lichtheim has collected a number of his essays and reviews, composed over the last four years for various

Like previous numbers, the current issue of Mosaic is as professional as anything produced by undergraduates at Harvard. My only

Leland Moss's production of Toys in the Attic is a willful distortion of a medicore play. But by the mysterious

The advance notices were not misleading. The production of Patience which opened at Agassiz last night is an uninterrupted delectation