John A. Pope
Will Success Spoil Rock Hunter?
The unfortunate opening for parody offered by the above title is, in this case, unavoidable. Success seems indeed to have
New Theatre Workshop: 7
The New Theatre Workshop finished its second year of activity last weekend with a solid if not outstanding program of
Poetry of Moral Issues
Harvard's Edwin Honig is one of many contemporary poets who are also full-time teachers at universities and colleges. As such
Heart of the Matter
In bringing the film version of Graham Greene's novel to New England for the first time, the Brattle has done
New Theatre Workshops
In the line of straight entertainment The New Theatre Workshop scored a minor triumph Thursday with its presentation of Gregory
Finnegans Wake
To most people the mention of Finnegans Wake suggests a trackless forest of tangled Joycean jargon, huge, ambiguous, largely inexplicable,
Three One-Act Plays
As might naturally have been expected, the Leverett House Dramatic Society's initial program presented some rough edges. Of the three
The Blackboard Jungle
As too often happens, when the boys in Hollywood get hold of a picture with a message they work so
The Big Sleep
Don't worry about figuring out the plot of this one; everybody has his own version, and it doesn't really matter.
Audience 1, 2, & 3
The more unnecessary pretensions any new publication makes, the harder the time it has establishing itself. Audience, a new pamphlet
If I Had A Million
Movies were jerkier, care were flimsier, and a million dollars was a whopping sum in 1932, but with W. C.
The Gospel Witch
In any attempt to examine conscientiously the intricate perversions of self-deception, a writer of drama risks creating a vehicle so
Alice in Wonderland
Given Lewis Carroll's Alice in Wonderland and Through the Looking Glass to start with, it would be hard to go
The Lower Depths
The note at the beginning of The Lower Depths states that before the film was made, Maxim Gorki approved approved
Romeo and Juliet
Ever since Sir Laurence Oliver delighted critics with Henry V in 1946, discussions of the best ways of adapting Shakespeare
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