W hen William Paul Rauch '84 and Paul Wellman Warner '84 first came to Harvard, both of them wanted to

T O READ Margaret Atwood's own voice--as opposed to one of the many voices of her fictional and poetic personae--is

T HE MAINSTAGE is still making the same old mistake. It's impossible to appreciate the considerable amount of fine acting

T HINK BACK to the people in your freshman seminar. How well did you ever actually know any of them?

Jungle Belles Hasty Pudding Theatricals #136 Book and Lyrics by Anthony Calnek '84 and Alison Taylor '84 Music by David

C HOOSING TO PRESENT a play as good as Ibsen's Hedda Gabler --as the Quincy House Drama Society must have

A T HIS FREQUENT BEST, playwright Sam Shepard uses grisly explorations of family frictions and anxieties to roil up the

S ALLY RIDE probably put it best when she got around to commenting on the media adoration which, several weeks

H ARVARD AGREED more than a year ago that there was something called "sexual harassment" and that, on the simplest

A FAINT UNEASINESS hangs over all Frederick Barthelme's short stories, a subtle, inescapable sense of skewed perspective Even reading snippets