Writer
Joseph P. Lorenz
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The Deep Blue Sea
The Deep Blue Sea, which brings Margaret Sullavan back to the American stage after a semi-retirement of eight years, is
In Any Language
Boston's annual influx of second-rate drawing room comedies began Monday. The opener was a farcical sketch by Edmund Beloin and
Heartbreak House
Heartbreak House, Shaw carefully explains in his introduction to the play, "is cultured, leisured Europe before the war." To members
The Man in the White Suit
The Man in the White Suit, Universal's latest in its series of vehicles for Alec Guinness, is this time a
The Mikado
Gilbert and Sullivan has once more come to Cambridge, this time in a delightful production of the one sure-fire hit
To Be Continued
In his new comedy, To Be Continued, William Marchant has treated the moral structure of Western society in about as
Right You Are
Luigi Pirandello's Right You Are (If You Think You Are) is at first glance a grotesque mixture of Shaw and
The Grass Harp
Truman Capote's stage adaptation of his novel, The Grass Harp, is a curious fusion of poetic sensitivity and imperfect theatrical
Flight into Egypt
Flight into Egypt, novelist George Tabori's first play, is a tense, emotional drama of Viennese expatriates stranded in Cairo. It
The School for Scandal
A fellow named Allardyce Nicoll once said of Sheridan's School For Scandal: "Sometimes we are inclined to be surfeited with