Katherine Ashton

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A Chance In A Million

B ACK IN the thirties, when people sang their way through the Great Depression, and an aspiring actress could get

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Someone Else's Nightmare

M ALFI DOESN't EXIST in this production of The Duchess of Malfi. The turgid program note warns that Webster's seventeenth-century

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Idyllic Innocence

A DOLESCENT REBELLION and alcoholism attack family life in the plays of Eugene O'Neill. In his tragedies, they triumph and

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Royal Charms

C HARLES II OF ENGLAND wasn't good-looking, but Antonia Fraser makes him very attractive. It's not a difficult task. In

transatlanticism
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Transatlanticism

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I Am Not at a Cafe

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Away in Argentina

Land of Fog
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Land of Fog