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ARTS
By Adam Kirsch
Thursday, October 24, 1996
Harvard theater comes in a few familiar flavors. There's the ambitious production of a classic, like the Mainstage "Three Sisters"
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ARTS
By Adam Kirsch
Thursday, September 26, 1996
One day, if it has not happened already, some Ph.D. candidate will write a dissertation on the effect of poetry
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ARTS
By Adam Kirsch
Thursday, September 19, 1996
T his is the way the year began--with what, by any standard, qualifies as a loud theatrical bang. No sooner
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NEWS
By Adam Kirsch
Friday, May 17, 1996
Now that it has become as common for a serious reader to read literary biographies as actual novels, is only
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ARTS
By Adam Kirsch
Thursday, February 22, 1996
Back in November 1994, the Republican takeover of Congress was heralded as the start of a new era. After half
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ARTS
By Adam Kirsch
Thursday, February 15, 1996
The fourth production of the Dunster House Opera is also, by far, its most ambitious. In past years, the Opera's
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ARTS
By Adam Kirsch
Thursday, February 1, 1996
When it premiered in France in the 1950s, Jean Genet's The Maids must have been a shock. The play, based
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ARTS
By Adam Kirsch
Thursday, December 7, 1995
If ever there was a monument to the Western Canon, Paine Hall is it. High above the audience, in proud
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ARTS
By Adam Kirsch
Thursday, November 16, 1995
In 1995, it would probably be impossible to write a musical about gang warfare, racism, police brutality, and attempted rape.
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ARTS
By Adam Kirsch
Thursday, November 9, 1995
Don't let the title fool you. "Fat Men in Skirts" conjures up a vision of the worst of current theatrical
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