S USAN Sontag's Brother Carl is so much more accomplished in every way than her earlier Duet for Cannibals that

AU HASARD Balthazar (writer-director Robert Bresson) is an attack on sentimentality that manages to avoid all the depressing, self-affirming, grimy

CARLOS SAURA'S The Garden of Delights is a cultural parable, and like most such parables, its narrative surface verges on

at Mather House, 8 p.m. tonight FILM creeps toward realism, and the supernatural gathers dust. Meanwhile, NASA has institutionalized the

JOHN CASSAVETES' Husbands is Middle America waking up to its mortality. It's the last gasp at the other end of