News
Harvard Quietly Resolves Anti-Palestinian Discrimination Complaint With Ed. Department
News
Following Dining Hall Crowds, Harvard College Won’t Say Whether It Tracked Wintersession Move-Ins
News
Harvard Outsources Program to Identify Descendants of Those Enslaved by University Affiliates, Lays Off Internal Staff
News
Harvard Medical School Cancels Class Session With Gazan Patients, Calling It One-Sided
News
Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory
Professor Beer's Social Sciences 2 class ended the year with a roar yesterday. Nine members donned costumes, climbed onto the New Lecture Hall platform, and presented a musical farce which ridiculed almost every author studied in the course.
Pictured above are Charisma (Ann Bregstein '53) and the play's authors, John G. Benedict '54 (Beowulf) and Kenneth J. Reckford '54 (Durkheim).
Charisma, the heroine, wanted to get routinized and find a husband (Beowulf). The puzzled Durkheim kept running from the idealist to the Materialist polo muttering, "Oh, God. I mean, Oh, society." Weber, Hobbes, Locke, Rousseau, and Grendel's Mother also rushed about the stage spouting garbled political theories. They blew horns, ate bananas, and emerged from a trap door.
A typical musical selection was the following, by Mathies (Theodore L. Gershuny '54), a "feather from the left wing":
The tales romantics croak
Might please a number of folk,
But isn't seduction a mode of production.
A typical bourgeois joket
Want to keep up with breaking news? Subscribe to our email newsletter.