News
Summers Will Not Finish Semester of Teaching as Harvard Investigates Epstein Ties
News
Harvard College Students Report Favoring Divestment from Israel in HUA Survey
News
‘He Should Resign’: Harvard Undergrads Take Hard Line Against Summers Over Epstein Scandal
News
Harvard To Launch New Investigation Into Epstein’s Ties to Summers, Other University Affiliates
News
Harvard Students To Vote on Divestment From Israel in Inaugural HUA Election Survey
It is unfortunate that Teresa Wright chose Salt of the Earth for her return to the stage after a long absence. For, despite the competent efforts of Miss Wright and the rest of the cast, this new Mary Drayton comedy (based on Ardyth Kennelly's novel, "The Peacable Kingdom") is both lifeless and unfunny.
In the second and third acts the comedy element is completely submerged in melodrama, apparently to the delight of the feminine members of the audiences. It seems as if the playwright is not quite sure of what she wants to accomplish. The spoofing of polygamy in the first act is somehow incongruous with her moral examination of the effects of polygamy in the parties involved. What results is soap opera transferred to the stage. Kent Smith, as the husband with too many wives, appears uncomfortable mouthing such lines as "Don't make me choose between you and the Church." Otherwise he performs patiently. Judith Parrish is cast in the stereotyped role of the two-faced coquette who manages to mix business with pleastre. Alfred Drake's direction is expert wherever the script allows, and the period set of a combination kitchen-parlor-bedroom by Sam Leve is authentic as well as colorful.
In the second and third acts the comedy element is completely submerged in melodrama, apparently to the delight of the feminine members of the audiences. It seems as if the playwright is not quite sure of what she wants to accomplish. The spoofing of polygamy in the first act is somehow incongruous with her moral examination of the effects of polygamy in the parties involved. What results is soap opera transferred to the stage.
Kent Smith, as the husband with too many wives, appears uncomfortable mouthing such lines as "Don't make me choose between you and the Church." Otherwise he performs patiently. Judith Parrish is cast in the stereotyped role of the two-faced coquette who manages to mix business with pleastre.
Alfred Drake's direction is expert wherever the script allows, and the period set of a combination kitchen-parlor-bedroom by Sam Leve is authentic as well as colorful.
Want to keep up with breaking news? Subscribe to our email newsletter.