CRIMSON WEEKLY CALENDAR

CAMBRIDGE

BRATTLE: Brecht and Weill's movie version of THE THREEPENNY OPERA dates from the latter days of the Weimar republic. Like much German expressionist film-making it is bitter and unhappy; it lacks much of Music and effervescence of the original.

Starts Sunday: Sir Laurence Oliver's HENRY V. Perhaps the only successful cinema Shakespeare ever. Evenings at 5:30, 7:30, 9:30. TR 6-4226.

UNIVERSITY: Peter Sellers executes

BOSTON

a TWO-WAY STRETCH daily at 3:15, 6:30, 9:45. (Ends tomorrow.) Sunday, Shirley MacLaine parades around in a Turkish towel (on the screen) but it's in ALL IN A NIGHT'S WORK.

ASTOR: One-eyed Jacks, Marlon Brando directs and stars in a Hemingwayesque reworking of traditional Western themes and situations, 9:30, 11:50, 2:10, 4:30, 7:00, 9:20.

GARY: La Dolce Vita. Federico Fellini's masterpiece exposes the decadent uppercrust that haunts Romo's Via Veneto, Spectacular photograph and unnumbered orgies spot-light a memorable if not continually absorbing expose. 11, 2:10, 6:20, 8:30. LI 2-7040.

TELEPIX--The Blue Angel--Marlene Dietrich at her leggy sophisticated best. Photographic technique, acting, script and music all are superb. Don't miss. 11:30, 1:30, 3:30, 5:30, 7:30, 9:30. HA 6-1115.

CAPRI: The latest breaker in the nouvelle vague. Breathless stars Jean Seberg and Jean-Paul Belmando.

EXETER: In Major Della Rovere-Vittorio De Sica transforms from a raffish war profiteer (he helps political prisoners escape--for a fee) to the embodiment of the heroic general he is forced to impersonate. Continuous from 10:30 a.m. KE 6-7067.