Movie listings for the week

HARVARD CURRIER HOUSE Khartoum, Friday and Saturday at 8 & 10 KIRKLAND HOUSE Great Expectations, Friday and Sunday at 8
NO WRITER ATTRIBUTED

HARVARD

Science Center B

Our Man in Havana. Friday at 8 and 10 Quincy House Dining Hall

A Stooge-a-thon (featuring Curley in each film). With Road Runner cartoons. Friday and Saturday at 8 and 10. Harvard-Epworth Church

The Childhood of Maxim Gorky, by Max Konskoi. Sunday at 7:30

CAMBRIDGE

Brattle Theater

La Salamandre. Nightly at 5:45 and 9:45. With Charles Dead or Alive, at 8.

Harvard Square Theater

Seven Beauties. Friday and Saturday at 2, 3:15 and 7:30. With Swept Away at 1:10, 5:20 and 9:35.

Galeria Cinema

Cousin Cousine. Daily at 2, 3:50, 5:40, 7:30 and 9:30.

Orson Welles I

F for Fake. Daily at 4, 6, 8:05 and 10:10.

Orson Welles II

Welles's Othello. Daily at 4, 5:45, 7:30 and 9:15.

Orson Welles III

Jonah Who Will be 25 in the Year 2000.

Daily at 4:05, 6:10, 8:30 and 10:20.

Central Square I

Berman's Face to Face. Nightly at 7 and 9:30

Central Square II

The Front. Nightly at 7:15 and 9.

Here are my choices for our ten favorite movies of all time:

Citizen Kane (Orson Welles, 1941)

Modern Times (Charles Chaplin, 1936)

Red Dust (Victor Fleming, 1932)

The King of Marvin Gardens (Bob Rafelson, 1970)

Sullivan's Travels (Preston Sturges, 1942)

McCabe and Mrs. Miller (Robert Altman, 1970)

Dinner at Eight (George Cukor, 1933

Mr. Smith Goes to Washington (Frank Capra, 1939)

Paths of Glory (Stanley Kubrick, 1957)

Trouble in Paradise (Ernst Lubitsch, 1932)

Here are some others we liked: It's a Wonderful Life (Capra, 1946); Dr. Strangelove (Kubrick, 1964); Duck Soup (Leo McCarey, 1933); The Godfather (Francis Ford Coppola, 1972); Mean Streets (Martin Scorcese, 1974); Night of the Hunter (Charles Laughton, 1955); The Adventures of Robin Hood (Michael Curtiz, 1935; The Man on the Flying Trapeze (Charles Bogel, 1935); Swing Time (George Stevens, 1937); Dodsworth (William Wyler, 1935; and the Road to Utopia (you've got us, with Hope and Crosby, 1945).

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