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Before Andrew Lloyd Webber, there was Charles Gounod. By turning Gounod's philosophical drama Faust If approached in the right The only serious flaw in the production, and it is a serious one, is the clear lack of attention to convincing acting. The music of Faust is readily available on CD; we go to a performance to see the dimensions of meaning which are lost in a libretto. Unfortunately, with the exception of Doss, the singers in this Faust might as well be in a recording or a concert performance. Acting is reduced to mannerism, often-as with Marguerite's mincing
If approached in the right The only serious flaw in the production, and it is a serious one, is the clear lack of attention to convincing acting. The music of Faust is readily available on CD; we go to a performance to see the dimensions of meaning which are lost in a libretto. Unfortunately, with the exception of Doss, the singers in this Faust might as well be in a recording or a concert performance. Acting is reduced to mannerism, often-as with Marguerite's mincing
The only serious flaw in the production, and it is a serious one, is the clear lack of attention to convincing acting. The music of Faust is readily available on CD; we go to a performance to see the dimensions of meaning which are lost in a libretto. Unfortunately, with the exception of Doss, the singers in this Faust might as well be in a recording or a concert performance. Acting is reduced to mannerism, often-as with Marguerite's mincing
The only serious flaw in the production, and it is a serious one, is the clear lack of attention to convincing acting. The music of Faust is readily available on CD; we go to a performance to see the dimensions of meaning which are lost in a libretto. Unfortunately, with the exception of Doss, the singers in this Faust might as well be in a recording or a concert performance. Acting is reduced to mannerism, often-as with Marguerite's mincing
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