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Film

Lossless Blurs Lines Between Old, New

Dorothy’s red heels click incessantly on the screen. They close and open again and again but Dorothy doesn’t budge. But

Film

'Slacker Uprising'

On the webpage where Michael Moore’s latest film, “Slacker Uprising,” is available for free download, Moore writes, “I’m giving you

Film

Let's Get Lost

There is a moment at the conclusion of “Let’s Get Lost,” Bruce Weber’s 1988 documentary, when legendary jazz trumpeter Chet

Film

MOVIE REVIEW: The Pursuit of Happyness

The Pursuit of Happyness Directed by Gabriel Muccino Sony Pictures 2 1/2 Stars Now this is the story all about

Film

Salvador Litvak '87

You’ve never seen a Passover quite like the one depicted in Salvador Litvak’s ’83 new movie, “When Do We Eat?”

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Jolie Leads a Superficial ‘Life’

If you learned that you had just one week to live, how would you spend the time? Would you surround

Film

‘Triumph’ant Mira Returns to Film

“As a kid, I wanted to be an actor, an astronaut, or an anthropologist,” muses Mira Sorvino ’90. “I think

Film

lights, camera, action!

A filmmaking club at Harvard. It seems like such a good idea that it is astonishing to learn that the

Film

Life and Times of Mr. Rogers

Measuring an individual’s impact on a university is a difficult task and is usually divided along the lines of one’s

Film

Bullock Dials ‘M’ For Mediocre

While the new thriller Murder by Numbers is entertaining and full of suspense, it is too political. Starring Sandra Bullock

Film

Curse of the 'Scorpion King'

In Universal Pictures’ newest release The Scorpion King, one of the most electrifying men in sports entertainment tries his hand

Film

Mitchell Talks Movies

“It’s like going to the funeral of someone you don’t know—you are miserable and don’t know why you are there.”

Film

‘Sweet’ Leaves A Sour Taste

The Sweetest Thing, Cameron Diaz’s latest comedic vehicle, has been billed as a romantic comedy in the tradition of There’s

Film

Daddy Dearest: Paxton Scares in ‘Frailty’

When it comes to movie conventions, there are certain lines that directors just don’t cross. You don’t show actors going

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