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'Spider-Man: Far From Home' still
Film

Spider-Man Studies Abroad This Summer

Spider-Man does it again with another blockbuster hit, involving plenty of CGI animation and action-packed scenes. “Spider-Man: Far From Home,” the sequel to “Spider-Man: Homecoming,” involves a coming of age story about Peter Parker’s (Tom Holland) journey to self-validation.

'Lion King' still
Film

'The Lion King' Can't Feel the Love Tonight

“The Lion King” (2019) somehow squanders a dark Shakespearian story, a talented voice cast, and a gargantuan $260 million budget with a tedious remake of the animated classic.

lunar landing still
Film

50 Years: The Lunar Landing and Space in Film

Today, 50 years after the moon landing, it’s astonishing to see how far space films have gone.

'John Wick: Chapter 3 — Parabellum' still
Film

An Action Movie Done Right: ‘John Wick: Chapter 3 — Parabellum’

“John Wick: Chapter 3 — Parabellum” — the latest entry in this unapologetically bloody, but increasingly successful action franchise — lives up to its predecessors.

Adele Lim image
Film

Portrait of an Artist: Adele Lim

The Harvard Crimson sat down with Adele Lim, co-screenwriter of "Crazy Rich Asians," to discuss representation in the film and Asian stories in mainstream media.

'Always Be My Maybe' still
Film

‘Always Be My Maybe’ Is a Rom-Com for the Subtle Asian Traits Generation

“Always Be My Maybe” bears the slight, bitter tinge of Netflix Original mediocrity, that banal air of capitalistically motivated art.

"Matthias et Maxime" Still
Film

From Cannes: ‘Matthias et Maxime’ an Unconvincing Romance

Their romance, which is intended to drive the story, inevitably feels like the subplot of two friends who must soon bid farewell.

Outside the Artists' Entrance at the Palais de Festivals in Cannes.
Film

Cannes Special Edition: Journalists Archetypes

The Cannes Film Festival attracts a number of eccentric types of journalists. Here, Crimson Cannes correspondents break them down.

Outside the Artists' Entrance at the Palais de Festivals in Cannes.
Film

Outside the Artists' Entrance at the Palais de Festivals in Cannes.

Outside the Artists' Entrance at the Palais de Festivals in Cannes.

"Once Upon a Time...in Hollywood" Still
Film

From Cannes: ‘Once Upon a Time...in Hollywood’ is Nostalgic Fun — If You Can Overlook Everything Else

25 years after he won the Palme d’Or for “Pulp Fiction,” Quentin Tarantino is back at Cannes with his most recent film, “Once Upon a Time...in Hollywood.”

"Il Traditore" ("The Traitor") Still.
Film

From Cannes: ‘Il Traditore’ (‘The Traitor’) Is A Mesmerizing Story of Betrayal — Until It's Not

Grounded in the Maxi Trial of 1986, the largest anti-mafia trial in history, Bellocchio strays from some historical details, creating an at first enrapturing but ultimately superficial and overextended look into Tommaso Buscetta’s experiences.

"Il Traditore" ("The Traitor") Still.
Film

"Il Traditore" ("The Traitor") Still.

Pierfrancesco Favino stars as Italian mafia boss Tommasso Buscetta in "Il Traditore" ("The Traitor").

"Give Me Liberty" Team
Film

From Cannes: “Give Me Liberty” Team Reflects On A Number of Firsts

The film’s cast, consisting of an eclectic mix of street-cast actors and international stars, experienced a number of “firsts” in making “Give Me Liberty.”

"Give Me Liberty" Team
Film

"Give Me Liberty" Team

The team of "Give Me Liberty," from left to right, starting with the top row: Maksim Stoyanov, who plays Dima; Director Kirill Mikhanovsky; Chris Galust, who plays Vic; Lauren "Lolo" Spencer, who plays Tracy; Screenplay writer Alice Austen.

"Nina Wu" Still
Film

From Cannes: “Nina Wu”: An Unfocused Vignette of #MeToo

Director Midi Z attempts to engage with the #MeToo movement, but relies on the sheer shock value of the abuse of power that ensues to ground the thriller.

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