Spider-Man does it again with another blockbuster hit, involving plenty of CGI animation and action-packed scenes. “Spider-Man: Far From Home,” the sequel to “Spider-Man: Homecoming,” involves a coming of age story about Peter Parker’s (Tom Holland) journey to self-validation.
“John Wick: Chapter 3 — Parabellum” — the latest entry in this unapologetically bloody, but increasingly successful action franchise — lives up to its predecessors.
“Always Be My Maybe” bears the slight, bitter tinge of Netflix Original mediocrity, that banal air of capitalistically motivated art.
Their romance, which is intended to drive the story, inevitably feels like the subplot of two friends who must soon bid farewell.
Outside the Artists' Entrance at the Palais de Festivals in Cannes.
From Cannes: ‘Once Upon a Time...in Hollywood’ is Nostalgic Fun — If You Can Overlook Everything Else
25 years after he won the Palme d’Or for “Pulp Fiction,” Quentin Tarantino is back at Cannes with his most recent film, “Once Upon a Time...in Hollywood.”
Grounded in the Maxi Trial of 1986, the largest anti-mafia trial in history, Bellocchio strays from some historical details, creating an at first enrapturing but ultimately superficial and overextended look into Tommaso Buscetta’s experiences.
The film’s cast, consisting of an eclectic mix of street-cast actors and international stars, experienced a number of “firsts” in making “Give Me Liberty.”
Director Midi Z attempts to engage with the #MeToo movement, but relies on the sheer shock value of the abuse of power that ensues to ground the thriller.