For those who don’t usually watch talk shows, “Ziwe” will not only be a worthwhile watch, but one that flies by, making for great binge-watching when the episodes are all out.
Filmed completely in Milan with a group of mostly unknown actors, “Zero” was a new venture into foreign-produced superhero franchises for Netflix.
“The Falcon and the Winter Soldier” followed the blueprint of its Marvel movie predecessors. Adaptations of the trademark Marvel structure work for a reason, beloved by fans who keep coming back.
There’s the iconic and well-known face, the beautiful landscape, and the subjects of the show itself — in many ways, “Life in Color” establishes itself in the tradition of Attenborough’s other nature documentaries.
The Harvard Observatory became one of the few places that hired women as researchers, who began making incredible scientific advances. This historical saga forms the basis of Lee’s and Sack’s project.
What makes “Them” so unbearable in comparison to works that juggle similar topics, such as Jordan Peele’s “Get Out” (2017) or HBO’s “Lovecraft Country,” is the lack of nuance.
In the “Home Economics”’ premiere, the moments that try to be funny end up being uncomfortable, and the moments that try to be serious are slow.
The visuals undoubtedly add aesthetic interest to the show, but are they enough to justify what’s essentially a fiction podcast residing on a television streaming app?
‘This is a Robbery: The World’s Biggest Art Heist’ Review: Not as Good as an Afternoon in an Actual Museum
Unfortunately, the bizarre facts of the robbery are not enough to keep the series’ four nearly hour-long episodes engaging.
While the first edition of the series was filled with stunning dramatizations, heart-tugging moments, and edge-of-your-seat horror, the show’s later episodes fail to live up to the expectations set by previous installments.
Though it’s clear from the beginning that the show is targeting an audience of young adults, it’s still enjoyable to watch for viewers of all ages and with any relationships to the original Sherlock Holmes series.
Perhaps the most important truth that the CCAs nominees and winners reveal is that representation in thoughtful storytelling matters and deserves to be recognized during awards season.
Weaving together people from dramatically different social classes, “The One” capitalizes on individual differences to bring out the humanity in its story.
An ultimately enjoyable premiere sets up the trajectory of the rest of the miniseries and excites audiences for what's to come.
The complexity of the story is undeniable, but “Murder Among the Mormons” did it justice, turning a challenge into the documentary’s greatest strength.
This announcement, while seemingly out of the blue, can likely be credited to the show’s resurgence in popularity over quarantine.