Portrait of an Artist: Chris Salvaterra '90

Chris Salvaterra ‘90, who got his start in film production after studying English at Harvard College, now oversees many of HBO's projects as Vice President for Drama Series, crafting the channel’s slate of shows.

Portrait of an Artist: Katie E. Low '12

During her time at Harvard College, Katie E. Low ’12 was premed. Now, she works as an animator at Walt Disney Animation Studios and runs a podcast called Animation Happy Hour, where she informs and inspires young animation students hoping to break into the industry.

Portrait of an Artist: Tom Rogers ’84

Tom Rogers ’84 came into his senior year of high school thinking he wanted to be a physicist. Now, after a nine-year stint as a staff writer for Disney animated television, he has a Daytime Emmy to his name for “Elena of Avalor,” a book titled “Eleven,” and a whole host of awards for his various movies.

'The Undoing' Episode Three: A Slower Episode with Hints of Spice

With a feel more like a soap opera episode or a TV sitcom, “Do No Harm” doesn’t seem to do a whole lot of anything. The audience gets to meet a few new characters and see a couple new places, but by and large, it’s nothing special.

'The Undoing' Episode Two: A Thriller Like Few Others

This week’s installment of “The Undoing,” titled “The Missing,” takes a sharp turn from the pleasant and cozy life of the Fraser family, quickly turning into an hour of suspense and tension.

Season Three of Letterman’s 'My Next Guest Needs No Introduction' is as Compelling as Ever

Featuring none other than Kim Kardashian, Robert Downey Jr., Dave Chappelle, and Lizzo, this latest (and necessarily shorter) season provides intimate, meaningful portraits of celebrities while also capturing the gravitas of the present historical moment.

A New Hope for Star Wars: ‘The Mandalorian’ Returns

The season premiere pulls tropes and themes liberally from mid-century Western classics to create an intricate tapestry of “Star Wars” mainstays — like desert speed bikes and all manner of interesting animal species — and fresh, outside influences.

Netflix’s ‘Social Distance’ Endeavors to Warm Our Lonely Hearts

We are all alone, and in that aloneness, we are together. Each 20-some minute episode of the televisual anthology illuminates heartwarming instances of human connection in a tragically disconnected status quo.

The Second Season of Netflix’s ‘Family Business’ Leaves Viewers Hungry for a Third

The second season of this show was just as ridiculous, light-hearted, and downright funny as the first, adding a second chapter to a story so entertaining that it makes the promise of a third something to genuinely look forward to.

How Social Media Drives and Destroys ‘The Bachelorette’

Unfortunately, social media is also responsible for ruining this season entirely. All the dramatics surrounding it have been spoiled beyond repair, and when you remove unexpected drama from a reality show, you don’t have much left.

Hulu’s ‘Monsterland’ is an Underwhelming Show with Monstrous Potential

In Hulu’s much-anticipated original series, the monsters aren’t just under the bed: They’re everywhere. Most critically, they are dormant in everyone, waiting patiently for the world’s madness to awaken them.

‘Emily in Paris’ is a Charming Cliché

It’s not an incredibly existentialist, what’s-the-meaning-of-life show, and neither is it particularly realistic. And yet the show still has its charming moments, particularly when it doesn’t take itself seriously.

‘Saturday Night Live’ Season 46 Premiere Loses Its Edge

As most of the country’s live entertainment is canceled for the foreseeable future, it’s all the more sad that “SNL” — which has returned in semi-full capacity with a live audience of paid first responders — is so unwilling to take risks in its premiere. ​​​​​​​

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