TV


‘Saturday Night Live’ Season 46 Premiere Loses Its Edge

As most of the country’s live entertainment is canceled for the foreseeable future, it’s all the more sad that “SNL” — which has returned in semi-full capacity with a live audience of paid first responders — is so unwilling to take risks in its premiere. ​​​​​​​


Bright Colors Belie a Jarring Thriller in Season One of ‘Ratched’

If Ryan Murphy has one thing, it’s range. From “American Horror Story” to “Glee,” and from “Pose” to “Scream Queens,” the screenwriter and producer has proven time and time again that he can (and will) write any type of story.


‘Utopia’ Premiere Isn’t Quite Perfect

The opening credits for this first episode are jarringly reminiscent of the news: a montage of environmental disasters, police holding back protesters, and viruses in petri dishes.


The Mandalorian Season Two Preview Still

Gina Carano is Cara Dune, Pedro Pascal is the Mandalorian, and Carl Weathers is Greef Karga in Season Two of 'The Mandalorian,' premiering on Oct. 30.


The Show Must Go On? TV in the Age of Corona

Like with most industries, the pandemic has presented Hollywood with an unprecedented set of challenges, posing a myriad of questions that producers, directors, and actors have never before had to consider. And producers’ approaches to the pandemic are about as varied as television programming itself.


Trailer Breakdown: ‘WandaVision’ Ushers in a New Era for the MCU

In the first day of the trailer’s release, it garnered over 53 million viewers, more than eight times the viewership of its debut platform, the Emmys. But if you watched and had no idea what was going on, you’re not alone.


‘We Are Who We Are’ Premiere Falls Short

By doing a poor job of painting American teen life and presenting a protagonist with a few too many layers of trauma, the premiere is unable to connect realistically to a teen audience.


Everyone Needs to Watch the 'Frozen 2' Documentary

Now, in the most objective opinion of this reviewer (for whom, in the spirit of full transparency, this will be the third “Frozen 2”-related piece he’s written for The Crimson), this is misguided. Animation is serious business.


‘Love, Victor’ Plays It Too Safe

Despite the writers’ best attempts in the first episode, “Love, Victor” never manages to shake off the shortcomings of the original film. It feels too — in a word — safe.


‘Normal People’ Gives a Remarkable Portrait of Class Conscious Love

In a way, Rooney’s unique style makes her characters embody one organism: It is as if they give up their souls to be part of a Sally Rooney Leviathan. In the show, Connell and Marianne are clearly cut from the same cloth, but their individual perspectives are emphasized.


In Its Premiere, ‘Mrs. America’ is the Phyllis Schlafly Nostalgia Piece Nobody Needs

“Mrs. America” is impressively acted and designed. Its competence, however, can’t save it from the filmmakers’ alienating eagerness to find the likable qualities in Schlafly, ignoring the real damage she did.


An Absolutely Wonderful Thing: ‘Parks and Recreation’ Returns for Quarantine Reunion

For a Parks and Rec virgin, I’m sure the special was reasonably enjoyable. For anyone who’s watched the show in its entirety — or in my case, five times over — it was an endless barrage of nostalgia-tapping references, jokes, and guest appearances.


One Big, Sweaty, Tired ‘Survivor’ Family

Nothing is more thrilling to us, the viewers, than an increasing sense of collective control over the game. It’s less a power struggle than a strong-willed crew of fans, players, and producers growing together into a real “Survivor” family where we get the kids on weekends.


‘Tiger King’: The Too-Crazy-To-Be-True Cure For Quarantine Boredom

With much of the country stuck inside, Exotic, his larger-than-life crew of misfit employees, and his charismatic rivals offer exactly what viewers are looking for: an immersive world that, despite being nonfiction, is even more unbelievable than the one we live in.


« Newest
‹ Newer
251-275 of 441
Older ›
Oldest »