It has been five years since Tobias Wolff’s last novel and over 10 years since his last collection of short
The first—and only—time that I read Homer’s “The Odyssey” was in my high school freshman English class. I hated it.
When Olga I. Zhulina ’09 stood alone amidst a grove of red flags, holding out forearms swathed in red scarves
While wholly unacquainted with Tennessee Williams’ work, I went to see the Harvard-Radcliffe Dramatic Club’s production of “Cat on a
It is difficult not to speculate about a book when its title is “The Zookeeper’s Wife.” Such a stamp holds
I walked out of the Loeb Ex on Friday feeling as though I had just been through a war—a war
There is a theater crowd on every campus; they’re the students whose names you see over and over again on
When a jabbering, flourescently-dressed Marielle E. Woods ’08 first strutted onto the stage of “Reception” with a shell-shocked Jonah C.
In the original production and in most subsequent interpretations, the protagonist of “The Three Lives of Lucie Cabrol” is a
If Harvard could somehow be distilled into one play, “Fall” would be it. The good news for Harvard: it also
In the first couple minutes of the Adams House Drama Society’s production of George Bernard Shaw’s “Heartbreak House,” genteel Brits
There’s a new Friday night concert scene in town. There’s no cover, and no stuffy, dimly lit rooms. It’s all
MGM Directed by Tony Bill 5 stars Judging by its pre-theater publicity, I wasn’t expecting much from “Flyboys.” A grim
When I walked into a half-empty Agassiz Theatre this past Friday night to see the Harvard S.T.A.G.E. production of “Footloose,”
Wei-Jen Yuan ’06 started writing music for the same reason that many young men start writing music: to impress a