Crimson staff writer

Henry S. U. Shah

Latest Content

A Little Racist Knife: The AAA Challenges the Pudding

​As dusk descended on the Ides of March, 1980, Michael T. Hsieh ’80 distributed leaflets outside the neo-Georgian façade of the New College Theater, now known as Farkas Hall. He and other members of Harvard’s Asian-American Association gathered to protest the Hasty Pudding Theatricals’ use of a perceived racist character, Edgar Foo Yung, in their 1980 production, “A Little Knife Music.”

The End of the Arc

“Yes, good. But what are you going to do with your life?” My grandfather, my Dada, leans forward and smiles at me from across the low coffee table that he bought almost 40 years ago.

Two Walking Mirrors For the Carpenter Center

Colleagues— It is my second time reporting undercover from the tastefully-glorified bowels of the Harvard art world. Nearly a year ago, I risked my metaphorical, aesthetic skin to faithfully recount the student opening of the Harvard Art Museums. I write to you today to convey the recent opening of sculptor Josiah McElheny’s “Two Walking Mirrors” at the Carpenter Center last Thursday, Oct. 1, at 5 p.m.

Spring Break Postcard: Food in Ma Belly

My roommate decided to visit me at home in Philadelphia. It was frigid, and every day we ate sandwiches. My goal: that he would leave with a fuller stomach, significantly closer to heart disease, his face slick with oil.

15Q: Jonathan Eig, Author of 'The Birth of the Pill'

Sex: college students are pretty much always thinking, talking about, and (sometimes) doing it. That hasn’t always been the case. Recently journalist Jonathan Eig spoke at the Francis A. Countway Library of Medicine at Harvard Medical School about his new book, “The Birth of the Pill.” The story of the birth control pill’s invention is riddled with twists, turns, dashing characters, and plenty of sexual activity. FM’s conversation with Eig was less salacious, but no less salty or stimulating.

A Day in the Life: Mark Mauriello

It’s a typical Saturday night for Mauriello, one of the stars of Diane Paulus’s “The Donkey Show.” It starts at the American Repertory Theater’s Oberon stage and ends, like Saturday nights at Harvard often do, with a Felipe's run.