Crimson staff writer
Henry S. U. Shah
As dusk descended on the Ides of March, 1980, Michael T. Hsieh ’80 distributed leaflets outside the neo-Georgian façade of the New College Theater, now known as Farkas Hall. He and other members of Harvard’s Asian-American Association gathered to protest the Hasty Pudding Theatricals’ use of a perceived racist character, Edgar Foo Yung, in their 1980 production, “A Little Knife Music.”
Colleagues— It is my second time reporting undercover from the tastefully-glorified bowels of the Harvard art world. Nearly a year ago, I risked my metaphorical, aesthetic skin to faithfully recount the student opening of the Harvard Art Museums. I write to you today to convey the recent opening of sculptor Josiah McElheny’s “Two Walking Mirrors” at the Carpenter Center last Thursday, Oct. 1, at 5 p.m.
Sex: college students are pretty much always thinking, talking about, and (sometimes) doing it. That hasn’t always been the case. Recently journalist Jonathan Eig spoke at the Francis A. Countway Library of Medicine at Harvard Medical School about his new book, “The Birth of the Pill.” The story of the birth control pill’s invention is riddled with twists, turns, dashing characters, and plenty of sexual activity. FM’s conversation with Eig was less salacious, but no less salty or stimulating.