Crimson staff writer
Emma E. Chan
Latest Content
Norton Lecture Series: Viet Thanh Nguyen’s ‘On Crossing Borders’
Pulitzer Prize-winning author and professor Viet Thanh Nguyen took the stage for his fourth Norton Lecture, titled “On Crossing Borders.”
Everything but the Meals: Top 10 Trader Joe’s Snacks, Ranked
From ready-made mac and cheese to microwaveable chicken tikka masala, Trader Joe’s has both range and quality to die for.
‘Chicago’ Review: An Intricate Emotional Dance
The musical’s flamboyance proves tasteful and elegant, and the actors’ faithful rendition of this character-driven story captivates audiences.
Fall into Harvard: Autumnal Vignettes from Crimson Arts
Read on for some of the Arts Board’s favorite fall memories, from the beauty of fall foliage in New England to all the delicious tastes of autumn!
‘Good Omens’ the Series: Is it Better than the Book?
“Good Omens” stands on its own as a work of art with intense emotional and artistic appeal. Yet the central question of any adaptation looms above the series: Is it better than the book?
Artist Profile: Sam F. Dvorak ’23 on the “Intimate Process” of Theater
Sam Dvorak believes in the intimacy of creating theater. To Dvorak, each production is like a spot of light — transient, ephemeral, and all the more beautiful for its temporality.
A Bite of Home: Chinatown’s Best Bakeries, Ranked
With AAPI month fast approaching, Asians and allies alike should take this chance to connect with — and learn about — Asian culture through food.
After 35 Years, ‘My Neighbor Totoro’ Still Gives Us Permission to Believe In Magic
This year’s Ghibli Fest celebrated the 35th anniversary of the release of “My Neighbor Totoro” alongside the other films in the classic Ghibli canon.
‘Set Me Free Pt.2’ Music Video Breakdown: Jimin’s Solo Debut Triumphs
With his new single, Jimin embraces his strengths as a dancer and vocalist while asserting his identity as a solo artist.
Danez Smith Conjures Worlds of Possibility in Morris Gray Reading
Instead of the typical reading structure, Smith redefined their reading as a collective, shared experience and encouraged the audience to respond to their works together.