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ON THE SHELF

This year's 344-page, six-pound, two-ounce, '43-'44 Harvard Album not only outweighs previous issues, but outshines them in solid craftsmanship, innumerable

BRASS TACKS

"Liberal education" is a fighting phrase nowadays. "In the current discussions between the Armed Forces and the educators on the

THE BOOKSHELF

Virginia Woolf, like James Joyce, is a key figure for an understanding of the direction that fiction is taking in

PLAYGOER

"Our Town" was never much on the theatre. The nearest it got to the arts was choir singing. But the

COLLECTIONS & CRITIQUES

The exhibition of undergraduate and graduate art work at the Signet Society is particularly remarkable for its range; and for

THE BOOKSHELF

James Joyce has been at the same time one of the most influential and one of the least understood figures

THE BOOKSHELF

Inflation is a more popular topic than deflation nowadays, but Mr. Kemler's deflationary remarks are particularly valuable for their timeliness.

THE PLAYGOER

Those who deplore the state of contemporary drama and long for the days of Elizabeth or the second Charles would

THE BOOKSHELF

It is almost axiomatic that what Harold Laski writes is well worth reading, and his latest book is specifically addressed

THE MOVIEGOER

When the Knights of Malta sent off a solid gold jewel-encrusted falcon as a gift to their sixteenth century over-lord,

THE BOOKSHELF

The chief criticism of our defense program so far has been its lack of coordination and planning. The Ways and

THE MOVIEGOER

The Armed Forces of the United States consist of the Army, the Navy, and the Marines. We have always been

ON THE SHELF

The first issue of this year's Advocate shows the well-known faults, and also the well-known virtues of Harvard's aesthetic menagerie

ON THE SHELF

"THREE MOODS" cannot be reviewed as a single slim volume of verse. Inman has persuaded his publishers to bind together

ON THE SHELF

This month's "Guardian" is undoubtedly the best issue of the year, but is hardly lives up to its subtitle: "The

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