If Bertolt Brecht and Steve Jobs collaborated on a play about economic downturn, the end result might look something like the lifeless, sluggish production of Clifford Odets’s “Paradise Lost” currently running at the American Repertory Theater (A.R.T.).
On “Broken Bells,” however, Danger Mouse is billed as Brian Burton, and has spoken of his desire to make clear that he is not just producing an album by another artist; Broken Bells is meant to be a stand-alone project. It’s hard to say from the debut, though, if it will stand as more than just a brief, albeit enjoyable, collaborative adventure.
“I don’t think I’ve ever seen a Princeton student smoke, but just look at all of you here,” remarked Jeffrey ...
The Bach Society Orchestra played selections from Prokofiev, Poulenc, Mozart, and “Nightclub Scenes”, conducted by Yuga J. Cohler ’11.
Stewart N. Kramer ’12 and Matthew J. DaSilva ’12 share a tense moment as Clive Harrington and his father Stanley, respectively, in Peter Shaffer’s “Five Finger Exercise.”
Five Finger Exercise—which runs through March 12 in the Loeb Experimental Theater—examines class, cultural, and familial divisions.
Members of the Harvard Radcliffe Orchestra perform pieces from Chopin, Brahms, and Kirchner in their third concert of the season in Sanders Theatre.
