The Harvard Crimson sends its writer— Ethan B. Reichsman '18 —to the French Riviera to cover the Cannes Film Festival.
It is an intensely risky decision, both professionally and personally, to leave a successful band and pursue a solo career. But in his self-titled debut album, Harry Styles demonstrates a remarkable willingness to try anything and everything.
Lamar may be more brilliant and more nuanced than other rappers. He may be flat out more talented than anyone in the general vicinity of a microphone. But on “DAMN,” he does his best to obscure that ability almost beyond recognition.
For the 2016-2017 season of the Boston Early Music Festival (BEMF), the Akademie für Alte Musik Berlin played an energetic show at The New England Conservatory’s Jordan Hall. The program performed on March 24, “Of Frogs and Men,” consisted of Baroque music on the theme of nature. These pieces were played delightfully by fifteen players including violins, violas, oboes, a violoncello, a double bass, a bassoon, a lute, a harpsichord, and a recorder, all the while bringing to life the opulence of this style to the stage.
On April 3, the Museum of Fine Arts previewed its upcoming exhibition, “Matisse in the Studio.” Organized by both the Museum of Fine Arts and London’s Royal Academy of Arts, and in partnership with Nice’s Musée Matisse, which provided the curators with many of the objects and paintings featured in the exhibition, it is the first major international show to highlight not just Matisse’s art, but also the space in which he created his masterpieces.
By establishing a world with bizarre characters and twisted logic, Lanthimos is able to mine the drawn-out, if inevitable, build-up to a dramatic conclusion for an equal measure of laughs and chills.
Denis manages to create a world far more similar to reality than most romantic comedies, one full of genuine awkwardness and mishaps and no dramatic conclusion.
Edie Meidav’s short story anthology “Kingdom of the Young” fails to meet high expectations: Though her previous three novels were universally acclaimed, her first anthology does not live up to the hype.
“A poet’s poet’s poet,” as acclaimed poet John Ashbery described her, Elizabeth Bishop, one of the finest mid-twentieth century American poets, is masterfully portrayed in Megan Marshall’s new biography, “Elizabeth Bishop: A Miracle for Breakfast.” Marshall, a former student of Bishop’s, interweaves a richly descriptive account of Bishop’s personal life and artistic output with sections about Marshall’s own life.
Anyone who has watched the trailer of the new Netflix original “Win It All” knows exactly what unfolds in the first hour of the film.
Aryan can fly. No one knows how, or why, but not only can the lead character of Kornél Mundruczó’s “Jupiter’s Moon” rise above the ground, he is practically invulnerable.
Much of what could be boring in “120 Battements par Minute (120 Beats per Minute),” written, edited, and directed by Robin Campillo, is not.
Bong Joon-ho’s latest feature follows the titular, genetically modified pig and her human caretaker Mija (Seo Hyun Ahn) through the world of corporate greed and animal–rights activism.
Not only is it clear that the brilliant and playful mind that has made Varda into the living legend of cinema that she is remains undimmed, but she has found for us a new guard, ready to step into the light.
There is very little one can do to be fully prepared for his or her first Cannes.
One of the key lines of the film, uttered by Zhenya’s new lover, states simply, “Lovelessness: one cannot live in that state.” By the conclusion, this state takes on the meaning of state as government.
Although clichéd, the story finds room for genuine warmth and sweetness, and is worth a watch for any family.
Almost 200 years after the original Philosophy Chamber, some parts of the space’s legacy continue to live on in Harvard’s contemporary intellectual discourse.
Neither the stress of the Harvard world nor the turbulence of the world beyond leaks into this garden. Instead, it remains completely separate from the worlds that border it and serves as a refuge from both.