Cannes Film Festival 2017

Cannes Film Festival 2017

The Harvard Crimson sends its writer— Ethan B. Reichsman '18 —to the French Riviera to cover the Cannes Film Festival.


Harry Styles Finds His Voice in Solo Debut

It is an intensely risky decision, both professionally and personally, to leave a successful band and pursue a solo career. But in his self-titled debut album, Harry Styles demonstrates a remarkable willingness to try anything and everything.

A ‘DAMN.’ Disappointment from a Prodigious Artist

Lamar may be more brilliant and more nuanced than other rappers. He may be flat out more talented than anyone in the general vicinity of a microphone. But on “DAMN,” he does his best to obscure that ability almost beyond recognition.

On Campus

Akademie’s “Of Frogs and Men” Brings Sound to Life

For the 2016-2017 season of the Boston Early Music Festival (BEMF), the Akademie für Alte Musik Berlin played an energetic show at The New England Conservatory’s Jordan Hall. The program performed on March 24, “Of Frogs and Men,” consisted of Baroque music on the theme of nature. These pieces were played delightfully by fifteen players including violins, violas, oboes, a violoncello, a double bass, a bassoon, a lute, a harpsichord, and a recorder, all the while bringing to life the opulence of this style to the stage.

‘Matisse in the Studio’: A Thorough Look at an Artist’s Work Space

​On April 3, the Museum of Fine Arts previewed its upcoming exhibition, “Matisse in the Studio.” Organized by both the Museum of Fine Arts and London’s Royal Academy of Arts, and in partnership with Nice’s Musée Matisse, which provided the curators with many of the objects and paintings featured in the exhibition, it is the first major international show to highlight not just Matisse’s art, but also the space in which he created his masterpieces.


‘The Killing of a Sacred Deer’ Pairs Tragedy and Black Comedy

By establishing a world with bizarre characters and twisted logic, Lanthimos is able to mine the drawn-out, if inevitable, build-up to a dramatic conclusion for an equal measure of laughs and chills.

With ‘Un Beau Soleil Intérieur’, Denis Takes Light Hearted Stroll Down Lover’s Lane

Denis manages to create a world far more similar to reality than most romantic comedies, one full of genuine awkwardness and mishaps and no dramatic conclusion.


'Kingdom of the Young': When Style Ruins a Story

Edie Meidav’s short story anthology “Kingdom of the Young” fails to meet high expectations: Though her previous three novels were universally acclaimed, her first anthology does not live up to the hype.

‘Elizabeth Bishop: A Miracle for Breakfast’ More of a Four-Course Meal

“A poet’s poet’s poet,” as acclaimed poet John Ashbery described her, Elizabeth Bishop, one of the finest mid-twentieth century American poets, is masterfully portrayed in Megan Marshall’s new biography, “Elizabeth Bishop: A Miracle for Breakfast.” Marshall, a former student of Bishop’s, interweaves a richly descriptive account of Bishop’s personal life and artistic output with sections about Marshall’s own life.


‘Win It All’ Well-Acted, Poorly Plotted

Anyone who has watched the trailer of the new Netflix original “Win It All” knows exactly what unfolds in the first hour of the film.


Moments Shine In ‘Jupiter’s Moon’ but the Film Does Not

Aryan can fly. No one knows how, or why, but not only can the lead character of Kornél Mundruczó’s “Jupiter’s Moon” rise above the ground, he is practically invulnerable.


‘120 Battements par Minute’ is Still Too Slow

Much of what could be boring in “120 Battements par Minute (120 Beats per Minute),” written, edited, and directed by Robin Campillo, is not.


‘Okja’ a Heartfelt and Colorful Satire

Bong Joon-ho’s latest feature follows the titular, genetically modified pig and her human caretaker Mija (Seo Hyun Ahn) through the world of corporate greed and animal–rights activism.


'Visages Villages' a Playful Passing of the Torch

Not only is it clear that the brilliant and playful mind that has made Varda into the living legend of cinema that she is remains undimmed, but she has found for us a new guard, ready to step into the light.


Music Video Breakdown: ‘Hotline Bling’


‘Dryside’: A Poetic New Drama on Climate Change, Race, and Class


A Letter from the Chairs


Arts Asks: Rebecca Sheehan


Pilot of ‘Shots Fired’ an Ambitious Mess


Cannes Par Jour: A Blog

There is very little one can do to be fully prepared for his or her first Cannes.


‘Loveless’ a Scattered yet Powerful Shot at Human Institutions

One of the key lines of the film, uttered by Zhenya’s new lover, states simply, “Lovelessness: one cannot live in that state.” By the conclusion, this state takes on the meaning of state as government.


‘Wonderstruck’ an Aesthetically Stuffed but Enchanting Tale of Childhood

Although clichéd, the story finds room for genuine warmth and sweetness, and is worth a watch for any family.

Visual Arts

Preview: The Philosophy Chamber at the Harvard Art Museums

Almost 200 years after the original Philosophy Chamber, some parts of the space’s legacy continue to live on in Harvard’s contemporary intellectual discourse.


Closing a Gate, Creating a Space

Neither the stress of the Harvard world nor the turbulence of the world beyond leaks into this garden. Instead, it remains completely separate from the worlds that border it and serves as a refuge from both.


‘Hour Two’ of ‘Shots Fired’ Unfocused and Uninteresting

Visual Arts

Portrait of an Artist: Keith R. Hartwig


Boston Artists React to NEA Defunding


Elizabeth Warren Promotes Book in Boston

Visual Arts

Finding Political Intent at the MFA