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Sarah L. Mcvity

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Critics Pan Alfred Play

By Sarah L. Mcvity  • 

"The Curse of an Aching Heart," a play by William Alfred, Keenan Jr. Professor of English, opened Saturday night at


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A Revitalized 'Death'

By Sarah L. Mcvity  • 

A RTHUR MILLER'S DEATH OF A SALESMAN evokes the same sort of feelings as the stinking down-and-out crazies in a


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Get Punched

By Sarah L. Mcvity  • 

I F QUENTIN CRISP and Donald Carroll had lived in the 14th century, they might have practiced alchemy. As 20th


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Valley of the Shadow

By Sarah L. Mcvity  • 

T HERE'S lots of jumping around in Godspell --lots of energy and exuberance. As the show builds up momentum, the


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A Portrait of the Art Student

By Sarah L. Mcvity  • 

In Munich, artists go to the Cafe Grossenvahn. So do the musicians, poets, actors, homosexuals, and foreigners. The regulars all


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A Malapropism

By Sarah L. Mcvity  • 

A LONG TIME AGO , when Moliere first tried to produce Tartuffe , censors threatened to squeeze all the genius


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Fluffy But Filling

By Sarah L. Mcvity  • 

S TEPHEN SONDHEIM is the El Cid of the musical theater. He oversteps bounds, and the audience excuses him because


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Unworldly Knowledge

By Sarah L. Mcvity  • 

I N THE OPENING SCENE of Doctor Faustus, John Faustus boldly adopts a course that will allow him to live


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Mamet's Minimums

By Sarah L. Mcvity  • 

M INIMALISM is the reduction to the essential. In theatre, the minimalist sifts through the rubbish heap of human existence,


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High Liebling

By Sarah L. Mcvity  • 

A S A RECENT food critic himself for The New York Times, it is exactly fitting that Ray Sokolov '63

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