Arts

From Cannes: ‘Le Otto Montagne’ is a Quietly Beautiful Exploration of Belonging

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The film packages profound messages into mundane interactions between family and friends.

From Cannes: ‘Armageddon Time’ is a Candid Look at Privilege in 1980s New York

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“Armageddon Time” is often quite a bleak depiction of inequalities in America, and it doesn’t necessarily offer any answers to these persistent issues.

Film

From Cannes: ‘God’s Creatures' is a Quiet, Cutting Drama with a Resounding Message

By Harper R. Oreck

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The lie at the center of the film gives it a biting urgency, harnessing its intimate character portrait to speak to broader questions of loyalty, privilege, and the impact of collective complicity.

On Campus

Stars On Ice Review: Figure Skating Experts Dazzle in Boston

By Brady M. Connolly and Monique I. Vobecky

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With a mix of both individual, pair, and group performances, the show was a theatrical spectacle of bright lights, mash-ups of hit songs, and mystifying on-ice stunts.

Film

From Cannes: 'L’Envol' Delivers Rich Visuals And A Hollow Love Story

By Harper R. Oreck

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In the early moments of “L’Envol”, the new period drama from Italian director Pietro Marcello, the screen crackles to life with grainy, worn-out film footage of towns destroyed by World War I.

Arts Blog

Think Piece: The Rise of Food Apps

What the Hell Happened: The Revolve Festival Controversy...

Concert Archives is the ‘Goodreads’ Concert-Lovers Never Knew They Needed...

Columns

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Hayao Miyazaki’s Visions of Return

By Isabella B. Cho

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Many of the most iconic scenes from the animator’s extended repertoire are ones that involve transformation.

When I Talk About Anime, I Am Talking About Time

By Isabella B. Cho

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When rewatching a favorite, I can recall distinctly the landscapes and people, the anxiety and aspirations, that marked the period I first watched it in. Anime has become an accidental way of assembling a chronology of my past.