Many of the stories end with no satisfying resolution. This ambiguity can be frustrating or soothing.
The text’s novelty cannot overcome the fact that it will be too much baseball for some, too much technology for others, and only just right for the very few.
Now, in the most objective opinion of this reviewer (for whom, in the spirit of full transparency, this will be the third “Frozen 2”-related piece he’s written for The Crimson), this is misguided. Animation is serious business.
On “Punisher,” Bridgers doesn’t reflect anyone else’s sadness. She pulls us into her own.
Want to watch “The Help?” Enjoy these Black entertainment staples instead.
Don’t ask me what I’m even doing here, she says. My life is a series of real-life Wikipedia spirals. Just keep looking up related readings.
Too many roads lead to Disney, and not all of them seem paved with gold.
What concessions have to be made to bestow the title of “feminist” upon his films or, alternatively, to take it away?
