The Harvard Crimson sends two writers—Mila Gauvin II '19 and Caroline A. Tsai '20—to France to cover the 71st annual Cannes Film Festival.
Simultaneously a mutter and sing-song, strained and explosive, electronic and a return to a guitar-driven rock core, “Hail to the Thief” embodies the frustration and defeat of a bruised animal throwing itself against the bars of a cage—“hysterical and useless,” to quote the band’s earlier work.
Performing with strength and fever, the richness of Khalid’s voice entranced his crowd and created a soothing yet energized tone as his set progressed, and Khalid left his crowd content.
Although the Harvard College Stand Up Comic Society (HCSUCS) usually runs shows every week or so, the April 14 performance was not your run-of-the-mill show.
The reason it matters is that the way we talk about Hollywood scandals mirrors the flawed structure of the arguments we make about gender inequality in the workplace on a daily basis.
We’re less than two weeks away from Broadway’s biggest night—The Tonys—and there are still so many questions that need answering. Who will win? Who should win? Here are our predictions.
In a new production of “The Sound of Music,” a fictionalized portrayal of the character Maria Rainer’s transition from postulant to governess, wife, and stepmother centralizes the bond between Maria and the seven von Trapp children.
"Ocean's 8" is a 3D-printed zirconium model of what it could have been: Exciting, but just not the real thing.
“Mary Shelley” is too unfocused and scattered to feel like a complete, self-possessed production.
Anthony Horowitz isn’t afraid to change up the classic mystery, and “The Word Is Murder” is no exception.
Garber takes advantage of the fact that her readers don’t have a complete grasp of the rules of her magical world and, frustratingly, makes the rules up as she sees fit.
The show needs to stop romanticizing trauma under the guise of heroism.
First Blood” is one of Season Two’s better episodes, even if it rushes the changing dynamics between June and Serena Joy ever-so-slightly.
Michael Crichton and Steven Spielberg have left so many messages and ideas for us to unpack. 25 years later, the film still “finds a way.”
It is on the small, fundamental building blocks of filmmaking that “First Reformed” thrives.
A lot happens—too much, in fact, making the episode more chaotically disappointing than artful.
Eminem’s Governors Ball performance was noticeably less exciting than some of the other ones of the night, but Eminem added a spark to the set whenever he performed some of his older classics much to the crowd’s enthusiasm, and he seemed to perform more passionately whenever the crowd was more engaged.
Each of Groff’s words feel deliberate, hardening the impact of her stories.
When Pusha T took to the American Eagle Stage at Governors Ball in a last-minute replacement of the rap group BROCKHAMPTON, cheers of “Fuck Drake!” rang from audience members.
Travis Scott’s Governors Ball performance not only captivated his fans, but seized them with a fervor that was palpable from the moment that Scott took to the stage until the very end of his performance.
Post Malone’s performance was a set of dichotomies—between swagger and hesitancy, apologeticness and disclaimers. Through these juxtapositions, Post Malone performed passionately, gleefully, and above all, vulnerably.
From Governor’s Ball 2018: Jack White Headlines Governor’s Ball Day One With Aggressive, Yet Smooth Fervor
Despite the heavy nature of his rock music, White was able to present his work often in a fun, almost light manner as he made sound effects into his microphone and played with a tangible passion and zest for the duration of his show.
“Deadpool 2” somehow avoids crossing the line from funny to tiresome, at least for the most part.