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Phil Patton

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Cover image for A Fortunate Cookie
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A Fortunate Cookie

By Phil Patton  • 

"I N THIS BUSINESS," says Jack Nicholson--as J.J. "Jake" Gittis, private detective specializing in marriage difficulties, flushing his suave taunting


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His Life as a Writer

By Phil Patton  • 

A LEXANDER PORTNOY complained that he was living in the middle of a Jewish joke--the Jewish joke of his whole


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Scruggs Fugs

By Phil Patton  • 

E ARL SCRUGGS and his boys were at the Performance Center last week in what has to be one of


Cover image for Pennies for the Old Guy
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Pennies for the Old Guy

By Phil Patton  • 

I WAS WALKING along Boylston St. one day recently when I noticed a listing of "The Appalachia Shop" at the


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Honor Among Thieves?

By Phil Patton  • 

W HAT WILL PROBABLY attract you the most about Robert Altman's Thieves Like Us are the surfaces of things, the


Cover image for Movies for Mood or Money?
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Movies for Mood or Money?

By Phil Patton  • 

Robert Altman's Thieves Like Us opens with a gentle pan from the hazy skyline of a Mississippi morning across a


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Seeing-eye Tortoise

By Phil Patton  • 

T HE CRITIC has to be a bit wary of these Tom Stoppard plays, since one of them puts a


Cover image for Enormous Changes, Minutely Traced
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Enormous Changes, Minutely Traced

By Phil Patton  • 

G RACE PALEY is a great and neglected American writer. Her only previous book was a wonderful collection of short


Cover image for Some Houses Down There
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Some Houses Down There

By Phil Patton  • 

A LL THIS STUFF--these notes, observations, glimpses and grotesques--need a justification that isn't to be found. It all belongs to


Cover image for Venetian Blindness
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Venetian Blindness

By Phil Patton  • 

D ON'T LOOK NOW is a film about second sight: that means about another way of looking at things. From

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